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" "...might possibly preserve her from suicide inasmuch as she remembered one of Amadeus's favorite utterances: Love, know thyself first in order to love thy neighbour. And then: one has to go into oneself - into one's childhood - to be able to go out of oneself. And he felt that the movie was the machine of modern man as a means of going out of oneself. And finally she recalled the famous couple embracing under a bathrobe, functioning as one person.
Charlotte Salomon (16 April, 1917 – 10 October, 1943) was a German-Jewish artist born in Berlin. She is primarily remembered as the creator of an autobiographical series of paintings 'Leben? oder Theater?: Ein Singspiel' / 'Life? or Theater?: A Song-play', consisting of 769 individual works, painted between 1941-1943, hiding from the Nazis.
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...two things. First that Daberlohn's eyes seemed to say: 'Death and the Maiden, that is the two of us;' and second, that she still loved him as much as ever. And if he was Death, then everything was alright, then she did not have to kill herself like her ancestors.. .So she was in fact the living model for his theories, and she remembered...
Charlotte: 'I have some more [paintings she recently made] to show you'.
Daberlohn: Well, let's meet this evening... ..
Isn't it absurd to address each other so formally? You're such a baby – here, let me hold your hand.. ..Real painter's hands'.
Charlotte: 'To me they're just ugly'.. ..'You would be a wonderful subject for a portrait -'
Daberlohn (to himself) : 'Little girl, if you only knew what one has to go through to be able to paint'.