German-Jewish artist and Holocaust victim (1917–1943)
Charlotte Salomon (16 April, 1917 – 10 October, 1943) was a German-Jewish artist born in Berlin. She is primarily remembered as the creator of an autobiographical series of paintings 'Leben? oder Theater?: Ein Singspiel' / 'Life? or Theater?: A Song-play', consisting of 769 individual works, painted between 1941-1943, hiding from the Nazis.
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And now something strange happened to our Charlotte. While busy painting, as she always was, she fell asleep in the midday sun. And when she awoke, the finished portrait of her once so ardently beloved Daberlohn [ = Alfred Wolfsohn ] lay before her. However, she tore the sheet into a hundred thousand shreds.. ..she sought for an explanation.. .Then her glace fell on one of her old paintings representing Death and the Maiden. And suddenly she knew...
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'The tri-coloured play with music begins' (in Deutsch: Das Drei Farben Singespiel beginnt..)
the cast is as follows
Dr. and MRS. Knarre, a married couple
Franziska and Charlotte, their daughters
Dr. Kahn, a physician
Charlotte Kahn, his daughter
Paulinka Bimbam, a singer
Dr. Singsong, a versatile person
Professor Klingklang, a famous conductor
An Art teacher
Professor and Students at an art academy
and Chorus..
..The action takes places during the years 1913 to 1940 in Germany, later in Nice, France
Fashion drawing teacher: Yes, drawing is a difficult art. One has to have some talent for it - and unfortunately you haven't.
Charlotte: 'No, I refuse to stay here with this stupid old cow, where through the dirty window even the sun's bright ray can only dimly play.. .Only he who dares can win. Only he who dares can begin.
The creation of the following paintings is to be imagined as follows: A person is sitting beside the sea. She is painting. A tune suddenly enters her mind. As she starts to hum it, she notices that the tune exactly matches what she is trying to commit to paper. A texts forms in her head, and she starts to sing the tune, with her own words, over and over again in a loud voice until the painting seems complete. Frequently, several texts take shape, and the result is a duet, or it..
Daberlohn's diagnosis [about the etching she made as his portrait] holds encouragement for Charlotte.. ..Daberlohn (in his letter) 'In my opinion you are destined to create something above average.'
.. ..'Above average.' She is elated by his letter and really feels quite proud.. .While beginning to paint the buttercup-strewn meadow where she happens to be sitting, she decides to make his prophecy come true and actually create something 'above average'.
Charlotte: 'I have some more [paintings she recently made] to show you'.
Daberlohn: Well, let's meet this evening... ..
Isn't it absurd to address each other so formally? You're such a baby – here, let me hold your hand.. ..Real painter's hands'.
Charlotte: 'To me they're just ugly'.. ..'You would be a wonderful subject for a portrait -'
Daberlohn (to himself) : 'Little girl, if you only knew what one has to go through to be able to paint'.
...his book, Orpheus, or the Way to a Death Mask, of which he had said that he regretted not having written it as a poem.
And with dream-awakened eyes she saw all the beauty around her, saw the sea, felt the sun, and knew: she had to vanish for a while from the human plane and make every sacrifice in order to create her world anew out of the depths.
original German language, Zitat von Charlotte Salomon: ..und sie sah – mit wachgeträumten Augen all die Schönheit um sich her – sah das Meer spürte die Sonne und wusste: sie musste für eine Zeit von der menschlichen Oberfläche verschwinden und dafür alle Opfer bringen – um sich aus der Tiefe ihre Welt neu zu schaffen
Und dabei entstand<brdas Leben oder das Theater???
..even happens that each character has to sing a different text, resulting in a chorus. The varied nature of the paintings should be attributed less to the author than to the varies nature of the characters to be portrayed. The author [= Charlotte Salomon] has tried.. ..to go completely out of herself to allow the characters to sing or speak in their own voices. In order to achieve this, many artistic values had to be renounced, but I hope that.. ..this will be forgiven. - The author, St. Jean, August 1940/42
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