I have to live for others and not for myself: thats middle class morality. - George Bernard Shaw

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I have to live for others and not for myself: thats middle class morality.

English
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About George Bernard Shaw

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist with a range incorporating both contemporary satire and historical allegory. He wrote more than sixty plays, including such works as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). Shaw was awarded the Nobel Prize in Literature in 1925.

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Also Known As

Alternative Names: Bernard Shaw G.B. Shaw G. Bernard Shaw
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Additional quotes by George Bernard Shaw

This is the true joy in life, the being used for a purpose recognized by yourself as a mighty one; the being a force of nature instead of a feverish selfish little clod of ailments and grievances complaining that the world will not devote itself to making you happy. I am of the opinion that my life belongs to the whole community and as long as I live it is my privilege to do for it whatever I can. I want to be thoroughly used up when I die, for the harder I work the more I live. I rejoice in life for its own sake. Life is no “brief candle” to me. It is a sort of splendid torch, which I have got hold for the moment and I want to make it burn as brightly as possible before handing it on to future generations.

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Shaw’s employment of the language proves no less self-sufficient in this uncostumed and unset “reading” of “Don Juan in Hell.” Yet there is a striking difference. Shaw has no interest in conjuring images to evoke a physical setting. He makes fun of Dante for having described hell as a place of mud, frost, filth, fire, and venomous serpents. He is equally contemptuous of Milton for having introduced cannon and gunpowder as a means of expelling the Devil from heaven. Shaw’s hell is visually nonexistent. In his own words “there is nothing; omnipresent nothing. No sky, no peaks, no light, no sound, no time nor space, utter void.” There is only somewhere the faint throbbing buzz of a Mozartian strain and a pallor which “reveals a man in the void, an incorporeal but visible man, seated, absurdly enough, on nothing.

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