All poetry is the reproduction of the tones of speech

Compose aloud: poetry is a sound.

In poetry much of the sense and most of the pleasure resides in the sounds the poem make.

It is the nature of poetry to emphasize that the physical sounds of words come from a particular body , one at a time, in a particular order.

Poetry is the report of a nuance between two moments, when people say 'Listen!' and 'Did you see it?' 'Did you hear it? What was it?'

Poetry is a plan for a slit in the face of a bronze fountain goat and the path of fresh drinking water.

Poetry is a slipknot tightened around a time-beat of one thought, two thoughts, and a last interweaving thought there is not yet a number for.

Poetry is the journal of a sea animal living on land, wanting to fly the air.

Poetry is any page from a sketchbook of outlines of a doorknob with thumb-prints of dust, blood, dreams.

Poetry is a type-font design for an alphabet of fun, hate, love, death.

Poetry is the silence and speech between a wet struggling root of a flower and a sunlit blossom of that flower.

Poetry is a fresh morning spider-web telling a story of moonlit hours of weaving and waiting during a night.

Poetry is a packsack of invisible keepsakes.

Poetry is the establishment of a metaphorical link between white butterfly-wings and the scraps of torn-up love letters.

Poetry is the achievement of the synthesis of hyacinths and biscuits.

Poetry is what looks like poetry, what sounds like poetry. It is metrical composition.

There is the buried language and there is the individual vocabulary, and the process of poetry is one of excavation and of self-discovery. Tonally the individual voice is a dialect; it shapes its own accent, its own vocabulary and melody in defiance of an imperial concept of language, the language of Ozymandias, libraries and dictionaries, law courts and critics, and churches, universities, political dogma, the diction of institutions. Poetry is an island that breaks away from the main.

Our ears, like it or not, take in so much in a day. Maybe some North American ears have trouble with poetry because of the noise from an aggressively voiced ruling ethos—its terminology of war, success, national security, winning and losing, ownership, merchandising, canned information, canned laughter. Poetry can be direct, it can be colloquial, it can be abrupt or angry, but it’s not that vacuous noise; it wants to unseat that kind of language, play other kinds of sound tracks.

The default designation of poetry has become written poetry. That's why we have to prefix the adjective "oral," because the unmodified noun no longer covers anything but written poetry. That's also why we resort to other unwieldy phrases to pigeonhole events and phenomena that our cultural proclivities have silently eliminated from consideration. Thus a "poetry reading" describes a performance (from a published text, of course) before a well-behaved, often academic audience. Thus "spoken-word poetry"—so redundant from a historical perspective—identifies voiced verbal art, verse that is lifted off the page and into the world of presence and experience.

Poetry demands a different material than prose. It uses another facet of the same fact … the spontaneous conformation of language as it is heard.

Poetry is music for the human voice. Until you actually speak it or someone speaks it, it has not come into its own.

No aspect of a poem is more singular, more unique, than its rhythm.

Truly fine poetry must be read aloud. A good poem does not allow itself to be read in a low voice or silently. If we can read it silently, it is not a valid poem: a poem demands pronunciation. Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song.

Poetry is the art that is closest to music, standing between music and narrative orality (which can be speechmaking, sermon or theater). Poetry is the voice of what can’t be spoken, the mode of truth-telling when meaning needs to rise above or skim below everyday language in shapes not discernible by the ordinary mind. It trumps the rhetoric of politicians. Poetry is prophetic by nature and not bound by time. Because of these qualities poetry carries grief, heartache, ecstasy, celebration, despair, or searing truth more directly than any other literary art form. It is ceremonial in nature. Poetry is a tool for disruption and creation and is necessary for generations of humans to know who they are and who they are becoming in the wave map of history. Without poetry, we lose our way.