All sources of energy in our Universe run down. We can't help that. Everything is downhill in just one direction, and we can force a temporary uphill… - Isaac Asimov

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All sources of energy in our Universe run down. We can't help that. Everything is
downhill in just one direction, and we can force a temporary uphill, backward, only by
taking advantage of some greater downhill in the vicinity. If we want useful energy
forever, we need a road that is downhill both ways. That is a paradox in our Universe; it
stands to reason that whatever is downhill one way is uphill going back.

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About Isaac Asimov

Isaac Asimov (c. 2 January 1920 – 6 April 1992) was a Russian-born American biochemist who was a prolific writer of both fiction and non-fiction, his works include the Foundation series and I, Robot.

Biography information from Wikiquote

Also Known As

Alternative Names: Isaak Osimov Paul French Asimov Isaak Ozimov Itzhak Ozimov
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Additional quotes by Isaac Asimov

Science Digest asked me to see the movie Close Encounters of the Third Kind and write an article for them on the science it contained. I saw the picture and was appalled. I remained appalled even after a doctor's examination had assured me that no internal organs had been shaken loose by its ridiculous soundwaves. (If you can't be good, be loud, some say, and Close Encounters was very loud.) ... Hollywood must deal with large audiences, most of whom are utterly unfamiliar with good science fiction. It has to bend to them, meet them at least half-way. Fully appreciating that, I could enjoy Planet of the Apes and Star Wars. Star Wars was entertainment for the masses and did not try to be anything more. Leave your sophistication at the door, get into the spirit, and you can have a fun ride. ... Seeing a rotten picture for the special effects is like eating a tough steak for the smothered onions, or reading a bad book for the dirty parts. Optical wizardry is something a movie can do that a book can't but it is no substitute for a story, for logic, for meaning. It is ornamentation, not substance. In fact, whenever a science fiction picture is praised overeffusively for its special effects, I know it's a bad picture. Is that all they can find to talk about?

The creation tale of Genesis is very impressive, even in modern terms, if it is treated symbolically and allegorically. But again, the tendency for many people is to accept it literally and to fight ferociously against deviating from it by one iota.

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