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Through the downward flow of the river of time and the multiple refractions and reflections of Reality upon the myriad mirrors of both macrocosmic an… - Hossein Nasr
" "Through the downward flow of the river of time and the multiple refractions and reflections of Reality upon the myriad mirrors of both macrocosmic and microcosmic manifestation, knowledge has become separated from being and the bliss or ecstasy which characterizes the union of knowledge and being. Knowledge has become nearly completely externalized and desacralized, especially among those segments of the human race which have become transformed by the process of modernization, and that bliss which is the fruit of union with the One and an aspect of the perfume of the sacred has become well-nigh unattainable and beyond the grasp of the vast majority of those who walk upon the earth. But the root and essence of knowledge continues to be inseparable from the sacred for the very substance of knowledge is the knowledge of that reality which is the Supreme Substance, the Sacred as such, compared to which all levels of existence and all forms of the manifold are but accidents.
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About Hossein Nasr
(Persian: سید حسین نصر, born April 7, 1933) is an Iranian philosopher, theologian and Islamic scholar. He is the University Professor of Islamic studies at George Washington University.
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Additional quotes by Hossein Nasr
To meditate on the theme of the Face of God is to realize that man cannot destroy the divine image without destroying himself. The poetical cry of Nietzsche in the nineteenth century that “God is dead,” a cry which has now been turned into a theological proposition in certain quarters and is advertised far beyond its purport and significance by those who seek after the sensational and who seem to have little reverence for the belief of those living and dead for whom God is eternally present and alive, cannot but have its echo in the assertion that man is dead, man as a spiritual and free being. Man cannot destroy the face that God has turned towards him without destroying the face that man has turned towards God, and therefore also all that is eternal and imperishable in man and is the source of human dignity, the only reality that gives meaning to human life.
If you ask today what art is, what its function is, what the meaning of art is and why one should create art, the answer given oftentimes by Western philosophers of art and those who specialize in modern aesthetics is ‘‘art for art’s sake.’’ The modern response is that you just create art for the sake of art; but this was never the answer of traditional civilizations where one created art for both the sake of attainment of inner perfection and for human need in the deepest sense—because the needs of man are not only physical, they are also spiritual. We are as much in need of beauty as of the air that we breathe.
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The testimony of the faith L¯a il¯aha illa’Ll¯ah (There is no divinity but the Divine) is a statement concerning knowledge, not sentiments or the will. It contains the quintessence of metaphysical knowledge concerning the Principle and its manifestation. The Prophet of Islam has said, “Say L¯a il¯aha illa’Ll¯ah and be delivered” referring directly to the sacramental quality of principial knowledge.
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