Toată problema prepoporanistă a lui Alecu Russo, problema specificului românesc, a formelor goale ale culturii, teoria pseudomorfozelor culturii, a s… - Eugène Ionesco

It is true that all authors have tried to make propaganda. The great ones are those who failed, who have gained access, consciously or not, to a deeper and more universal reality.

I ought not to have stirred, I was swept into the dance, caught up in the whirling movement of things. Being in Time means running after the present. You run after things, you run with things, you flow away.

The most implacable enemies of culture — Rimbaud, Lautréamont, dadaism, surrealism — end up being assimilated and absorbed by it. They all wanted to destroy culture, at least organized culture, and now they’re part of our heritage. It’s culture and not the bourgeoisie, as has been alleged, that is capable of absorbing everything for its own nourishment. As for the oneiric element, that is due partly to surrealism, but to a larger extent due to personal taste and to Romanian folklore — werewolves and magical practices. For example, when someone is dying, women surround him and chant, “Be careful! Don’t tarry on the way! Don’t be afraid of the wolf; it is not a real wolf!”—exactly as in Exit the King. They do that so the dead man won’t stay in infernal regions.