The emergence of the Civil Rights movement in the sixties I remember as lifting me out of a sense of personal frustration and hopelessness. Reading J… - Adrienne Rich

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The emergence of the Civil Rights movement in the sixties I remember as lifting me out of a sense of personal frustration and hopelessness. Reading James Baldwin's early essays in the fifties had stirred me with a sense that apparently "given" situations like racism could be analyzed and described and that this could lead to action, to change. Racism had been so utter and implicit a fact of my childhood and adolescence, had felt so central among the silences, negations, cruelties, fears, superstitions of my early life, that somewhere among my feelings must have been the hope that if Black people could become free of the immense political and social burdens they were forced to bear, I, too, could become free of all the ghosts and shadows of my childhood, named and unnamed. When "the movement" began, it felt extremely personal to me. And it was often Jews who spoke up for the justice of the cause, Jewish students and civil rights lawyers who travelled South; it was two young Jews who were found murdered with a young Black man in Mississippi: Schwerner, Goodman, Chaney.

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About Adrienne Rich

Adrienne Rich (16 May 1929 - 27 March 2012) was an American feminist, poet, teacher, and writer.

Also Known As

Alternative Names: Adrienne Cecile Rich Adrienne Cécile Rich Adrienne Riche Adrienne C. Rich Edrijen Rič
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Additional quotes by Adrienne Rich

Aunt Jennifer's tigers prance across a screen,
Bright topaz denizens of a world of green.
They do not fear the men beneath the tree;
They pace in sleek chivalric certainty.Aunt Jennifer's fingers fluttering through her wool
Find even the ivory needle hard to pull.
The massive weight of Uncle's wedding band
Sits heavily upon Aunt Jennifer's hand.When Aunt is dead, her terrified hands will lie
Still ringed with ordeals she was mastered by.
The tigers in the panel that she made
Will go on prancing, proud and unafraid.

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("What are the obligations of poetry? Have they changed in your lifetime?") I don’t know that poetry itself has any universal or unique obligations. It’s a great ongoing human activity of making, over different times, under different circumstances. For a poet, in this time we call “ours,” in this whirlpool of disinformation and manufactured distraction? Not to fake it, not to practice a false innocence, not pull the shades down on what’s happening next door or across town. Not to settle for shallow formulas or lazy nihilism or stifling self-reference. Nothing “obliges” us to behave as honorable human beings except each others’ possible examples of honesty and generosity and courage and lucidity, suggesting a greater social compact.

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