In actuality, the 1960s was an era of interconnection across lines of sex and race, time and space. But with rare exceptions, these authors are guilt… - Elizabeth Martínez

One of the most serious obstacles to genuine diversification is that on most campuses the faculty remains lily-white and male

In the provocation and shaping of that consciousness, Chicana artists and writers have had great influence. We would not be as far along as we are today without the heretical work of painters Yolanda López and Ester Hernández, whose militant transformations of the Virgin of Guadalupe offer a liberation never before available. We would not be this far along without painter Juana Alicia's images of Latina women as strong survivors. We would not be this far along without some biting poems from Sandra Cisneros, the multifaceted work of feminist writer Ana Castillo, the beautifully bold writing of lesbian authors Cherríe Moraga and Gloria E. Anzaldúa mentioned above. Not to mention the performance art of lesbian comedians like Marga Gómez and Monica Palacios. So many more names could be set down; all have nurtured the feminist impulse of young Chicanas, especially those in their upper teens and early twenties.

The collective memory of every Latino people includes direct or indirect (neo-)colonialism, primarily by Spain or Portugal and later by the United States. Among Latinos, Mexicans in what we now call the Southwest have experienced US colonialism the longest and most directly, with Puerto Ricans not far behind (“A Word About the Great Terminology Question”)