Mexican feminist
Martha P. Cotera (born January 17, 1938) is a librarian, writer, and influential activist of both the Chicano Civil Rights Movement and the Chicana Feminist movement of the 1960s and 1970s. Her two most notable works are Diosa y Hembra: The History and Heritage of Chicanas in the U.S. and The Chicana Feminist. Cotera was one of six women featured in a documentary, Las Mujeres de la Caucus Chicana, which recounts the experiences of some of the Chicana participants of the 1977 National Women's Conference in Houston, Texas.
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The social and economic upheavals which deposed the Díaz regime and produced the 1910 revolution gave Mexican feminists another arena for action. Revolutionary supporters established women's organizations like the Hijas de Cuauhtémoc and newspapers like Vesper which helped the cause and raised women's consciousness about their own status. Juana Belen Gutiérrez de Mendoza was an outstanding feminist and journalist of the period.
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Some of the women who led the movement in its early days were Dolores Huerta of the United Farm Workers Organizing Committee, Alicia Escalante with the Welfare Rights Organization, and Gracia Molina de Pick and Anna Nieto-Gómez with feminist activities. Women politicians like Virginia Muzquiz of Crystal City, Texas, Mariana Hernández, and Grace Davies put Chicanas in the political forum. Like these women, there have been hundreds of others who, in the late 1960s and 1970s, have proved that Chicanas have come of age politically in this country.
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The Chicana is "together" but her progress is not commensurate with her her goals as a woman. The two great barriers to her achievement are: 1) the opportunism in the women's movement that has forced lower priorities to be set on public policy and governmental programming for minority populations and the poor, and 2) the conservatism of Chicano males.
Hispanas should no longer leave unchallenged the irresponsible expressions of ideologies and rhetoric that both disregard the basic tenet of individual worth and ignore women's continued contribution to culture and to the political, artistic, and intellectual evolution of the Hispanidad. Until we do this, the detractors of womankind will continue to promote bastardized machismo as basic and inevitable in the Hispanic culture. Unless we do this, the majority society, and many of our own people, will continue their fantasized portrayals of Hispanas as objects; passive nonentities, social reactionaries, and nonproductive members of society.