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" "Actually, art and magic are pretty much synonymous. I would imagine that this all goes back to the phenomenon of representation, when, in our primordial past, some genius or other actually flirted upon the winning formula of “This means that.” Whether “this” was a voice or “that” was a mark upon a dry wall or “that” was a guttural sound, it was that moment of representation. That actually transformed us from what we were into what we would be. It gave us the possibility, all of a sudden, of language. And when you have language, you can describe pictorially or verbally the strange and mystifying world that you see around you, and it’s probably not long before you also realize that, hey, you can just make stuff up. The central art of enchantment is weaving a web of words around somebody. And we would’ve noticed very early on that the words we are listening to alter our consciousness, and using the way they can transform it, take it to places we’ve never dreamed of, places that don’t exist.
Alan Moore (born 18 November 1953) is a British writer, most famous for his influential work in comic-books and graphic novels.
Biography information from Wikiquote
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The disciplines of physical exercise, meditation and study aren't terribly esoteric. The means to attain a capability far beyond that of the so-called ordinary person are within the reach of everyone, if their desire and their will are strong enough. I have studied science, art, religion and a hundred different philosophies. Anyone could do as much. By applying what you learn and ordering your thoughts in an intelligent manner it is possible to accomplish almost anything. Possible for an 'ordinary person.' There's a notion I'd like to see buried: the ordinary person. Ridiculous. There is no ordinary person.
They fold up into you. You fold up into us. We fold up into Him.”
This seemed to both intrigue and satisfy the parson, who hummed thoughtfully before he ventured one last question to the amiable artisan.
“I see. And might I ask if, anywhere in this ingenious arrangement, any of us ever truly had Free Will?”
The lanky angle sounded somehow mournful and apologetic as he answered with a syllable that was apparently the same in English as in his own tongue.
“No.”
After a well-timed pause as if before the punch line of a joke, he went on to pronounce another angle-word that Michael understood almost immediately.
“Dyimoust?”
What this meant was “Did you miss it?