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I’m beginning now even to see it in my own books which are written from many different points of view, very different personae, first person as a man, a child, a woman, a young person, an older person, there is the sense, looking back, that you are really writing one book all your life. Because there is this voyage of discovery of life.
I have desired, like every artist, to create a little world out of the beautiful, pleasant, and significant things of this marred and clumsy world, and to show in a vision something of the face of Ireland to any of my own people who would look where I bid them. I have therefore
written down accurately and candidly much that I have heard and seen,
and, except by way of commentary, nothing that I have merely imagined.
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I’m very interested in presenting the truth of people who are not centered in mainstream narratives. But I’m also fascinated by how we construct our version of truth, by how two people can have the same experience and not only describe it differently but also believe that their version is the only truth. The novel I’m currently working on excavates this phenomenon.
If one hundred people perceive the same event, you hear one hundred different stories, and everybody claims that his or her story is the true story. Of course, it's only true for that person, and your story is only true for you. What we share with one another is just our perception; it is just our point of view. And it's completely normal because the only thing we have is our point of view. You know, the way we create our stories is very interesting. We have a tendency to distort everything we perceive to make it agree with what we already believe; we "fix it" to make it agree with our lies. It is amazing how we do this. With awareness, we recover the control of our story. That is the good news. If we don't like our story, we are the authors; we can change it.
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