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" "There is no such thing as an age for love ... because the man capable of loving — in the complex and modern sense of love as a sort of ideal exaltation — never ceases to love. I will go further; he never ceases to love the same person. You know the experiment that a contemporary physiologist tried with a series of portraits to determine in what the indefinable resemblances called family likeness consisted? He took photographs of twenty persons of the same blood, then he photographed these photographs on the same plate, one over the other. In this way he discovered the common features which determined the type. Well, I am convinced that if we could try a similar experiment and photograph one upon another the pictures of the different women whom the same man has loved or thought he had loved in the course of his life we should discover that all these women resembled one another. The most inconsistent have cherished one and the same being through five or six or even twenty different embodiments.
Paul Charles Joseph Bourget (2 September 1852 – 25 December 1935) was a French novelist and critic.
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Is there any God, any justice, is there either good or evil? None, none, none, none! There is nothing but a pitiless destiny which broods over the human race, iniquitous and blind, distributing joy and grief at haphazard. A God who says, "Thou shalt not kill," to him whose father has been killed? No, I don't believe it. No, if hell were there before me, gaping open, I would make answer: "I have done well," and I would not repent. I do not repent. My remorse is not for having seized the weapon and struck the blow, it is that I owe to him — to him — that infamous good service which he did me — that I cannot to the present hour shake from me the horrible gift I have received from that man. If I had destroyed the paper, if I had gone and given myself up, if I had appeared before a jury, revealing, proclaiming my deed, I should not be ashamed; I could still hold up my head. What relief, what joy it would be if I might cry aloud to all men that I killed him, that he lied, and I lied, that it was I, I, who took the weapon and plunged it into him! And yet, I ought not to suffer from having accepted — no — endured the odious immunity. Was it from any motive of cowardice that I acted thus? What was I afraid of? Of torturing my mother, nothing more. Why, then, do I suffer this unendurable anguish? Ah, it is she, it is my mother who, without intending it, makes the dead so living to me, by her own despair. She lives, shut up in the rooms where they lived together for sixteen years; she has not allowed a single article of furniture to be touched; she surrounds the man's accursed memory with the same pious reverence that my aunt formerly lavished on my unhappy father. I recognize the invincible influence of the dead in the pallor of her cheeks, the wrinkles in her eyelids, the white streaks in her hair. He disputes her with me from the darkness of his coffin; he takes her from me, hour by hour, and I am powerless against that love.