Wolf’s story is instructive. The Beauty Myth, her 1990 blockbuster about the toll taken on women by the upward ratchet of unreasonable beauty standar… - Naomi Wolf

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Wolf’s story is instructive. The Beauty Myth, her 1990 blockbuster about the toll taken on women by the upward ratchet of unreasonable beauty standards, made her famous. In retrospect, the seeds of her intellectual decline were already present in that book, which contained both major statistical errors and a conspiratorial subtext that painted the influence of patriarchy as a deliberate plot. In the ensuing years, her work grew increasingly sloppy and absurd, until her reputation collapsed altogether in 2019 with the publication of Outrages.

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About Naomi Wolf

Naomi Rebekah Wolf, (born November 12, 1962) in San Francisco, is an American author, journalist and (since around 2014) conspiracy theorist. Wolf's first book, The Beauty Myth (1991), gained international attention. Her career in journalism began in 1995; she has written for media outlets such as The Nation, The Guardian and The Huffington Post.

Also Known As

Alternative Names: Naomi R. Wolf Naomi Rebekah Wolf
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[Experiencing writers' block, Wolf sought specialist assistance. Being induced in "a light meditative state" (Wolf), she was required to descent downstairs in a relaxation technique.] I opened the door and there he was [...] I wasn't myself in this visual experience [...] I was a 13-year-old boy sitting next to him [Jesus] and feeling feelings I'd never felt in my lifetime, of a 13-year-old boy being with an older male who he really loves and admires and loves to be in the presence of. It was probably the most profound experience of my life. I haven't talked about it publicly [before].

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Just as 'beauty' is not related to sex, neither is it related to love. Even having it does not bestow love on a woman, though the beauty myth claims that it must. It is because 'beauty' is so hostile to love that many beautiful women are so cynical about men. […] The beautiful woman is excluded forever from the rewards and responsibilities of particular human love, for she cannot trust that any man will love her 'for herself alone.' A hellish doubt inheres in the myth that makes impersonal 'beauty' a prerequisite for love: Where does love go when beauty vanishes? And, if a woman cannot be loved 'for herself alone,' for whom is she being loved?

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