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For the first time in history, children are growing up whose earliest sexual imprinting derives not from a living human being, or fantasies of their own; since the 1960s pornographic upsurge, the sexuality of children has begun to be shaped in response to cues that are no longer human. […] Today's children and young men and women have sexual identities that spiral around paper and celluloid phantoms: from Playboy to music videos to the blank female torsos in women’s magazines, features obscured and eyes extinguished, they are being imprinted with a sexuality that is mass-produced, deliberately dehumanizing and inhuman.

Just as 'beauty' is not related to sex, neither is it related to love. Even having it does not bestow love on a woman, though the beauty myth claims that it must. It is because 'beauty' is so hostile to love that many beautiful women are so cynical about men. […] The beautiful woman is excluded forever from the rewards and responsibilities of particular human love, for she cannot trust that any man will love her 'for herself alone.' A hellish doubt inheres in the myth that makes impersonal 'beauty' a prerequisite for love: Where does love go when beauty vanishes? And, if a woman cannot be loved 'for herself alone,' for whom is she being loved?

A culture fixated on female thinness is not an obsession about female beauty, but an obsession about female obedience. Women's dieting has become what Yale psychologist Judith Rodin calls a 'normative obsession,' a never-ending passion play given international coverage out of all proportion to the health risks associated with obesity, and using emotive language that does not figure even in discussions of alcohol or tobacco abuse. […] Dieting is the most potent political sedative in women's history; a quietly mad population is a tractable one.

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It was the doctors in pre-Nazi Germany in the early thirties who were co-opted by the National Socialists and sent to do exactly what we're seeing kind of replaying now.
It was the medical organisations in the early thirties who were emboldened to be the arbiters of, you know, "life worthy of life, life unworthy of life"’, um, and to, kind of, medicalise and pathologise dissent or difference.
So we're seeing wholesale purchasing of the medical establishment in the United States, in Britain and in countries around the world to do things much more serious.

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JS [Justine Sharrock]: How is your comparison of Obama to Hitler any different from someone at a Tea Party holding up a placard of Obama with a Hitler mustache?
NW: Those signs are offensive. If only the Holocaust was just about imposing health care on my people. Obama has done things like Hitler did. Let me be very careful here. The National Socialists rounded people up and held them without trial, signed legislation that gave torture impunity, and spied on their citizens, just as Obama has. It isn't a question of what has been done that Hitler did. It's what does every dictator do, on the left or the right, that is being done here and now. The real fight isn't left or right but between forces of democracy across the spectrum and the forces of tyranny.

On a mystical level, it was complete joy and happiness and there were tears running down my face. On a conscious level, when I came out of it I was absolutely horrified because I'm Jewish. This was not the thing I'm supposed to have confront me.

What becomes of a man who acquires a beautiful woman, with her 'beauty' his sole target? He sabotages himself. He has gained no friend, no ally, no mutual trust: She knows quite well why she has been chosen. He has succeeded in buying a mutually suspicious set of insecurities. He does gain something: the esteem of other men who find such an acquisition impressive.

To live in a culture in which women are routinely naked where men aren't is to learn inequality in little ways all day long. So even if we agree that sexual imagery is in fact a language, it is clearly one that is already heavily edited to protect men’s sexual—and hence social—confidence while undermining that of women.

[Alex] Cohen: There's never a line in this book that says George W. Bush is just like Hitler or Mussolini or Stalin, but there's enough that after a while there definitely seems to be the air of some comparisons happening. Isn't that a bit extreme to compare our president to these historical figures?
Ms Wolf: Well, again, I stick very rigorously to the evidence. You had the Nazis unloaded coffins at night; we saw coffins being unloaded at night. They talked about enhanced interrogation, meaning torture; Karl Rove talked about enhanced interrogation, meaning torture. They said, you know, we've got to invade Czechoslovakia because it's a station ground for terrorists. And we said we've got to invade Iraq, a country we're not at war with, because they are torturing their ethnic minorities, it's a station ground for terrorists and they hate our freedoms. I don't need to draw an analogy. The analogies are there.

In the decade since Occupy, Wolf has connected the dots between an almost unfathomably large number of disparate bits of fact and fantasy. She has floated unsubstantiated speculations about the National Security Agency whistleblower Edward Snowden ("not who he purports to be," hinting that he is an active spy). About US troops sent to build field hospitals in West Africa during the 2014 Ebola outbreak (not an attempt to stop the disease's spread, but a plot to bring it to the United States to justify "mass lockdowns" at home). About ISIS beheadings of US and British captives (possibly not real murders, but staged covert ops by the US government starring crisis actors). About the results of the 2014 Scottish referendum on independence, which the "no" vote won by a margin of more than 10 percentage points (potentially fraudulent, she claimed, based on an assortment of testimonies she collected). About the Green New Deal (not the demands of grassroots climate-justice movements, she said, but yet another elite-orchestrated cover for "fascism"). She has even spotted plots and conspiracies in oddly shaped clouds.

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Wolf’s story is instructive. The Beauty Myth, her 1990 blockbuster about the toll taken on women by the upward ratchet of unreasonable beauty standards, made her famous. In retrospect, the seeds of her intellectual decline were already present in that book, which contained both major statistical errors and a conspiratorial subtext that painted the influence of patriarchy as a deliberate plot. In the ensuing years, her work grew increasingly sloppy and absurd, until her reputation collapsed altogether in 2019 with the publication of Outrages.