We didn’t know what kind of music we’d make, we didn’t know if it would be any good, but we hoped we’d have fun. He brings so much musical knowledge,… - A. R. Rahman

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We didn’t know what kind of music we’d make, we didn’t know if it would be any good, but we hoped we’d have fun. He brings so much musical knowledge, amazing musicianship, melody and singing power from a different culture.

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About A. R. Rahman

Allah-Rakha Rahman (born A. S. Dileep Kumar on January 6, 1967) is an Indian composer, singer-songwriter, music producer, musician, multi-instrumentalist and philanthropist. Rahman redefined the contemporary Indian music. His works are notable for integrating Eastern classical music with electronic music sounds, world music genres and traditional orchestral arrangements. Time has described him as the world's most prominent and prolific film composer. Rahman has won two Academy Awards, two Grammy Awards, a BAFTA Award, in addition to numerous Filmfare and other awards. His extensive body of work for film and the stage has earned him the nickname "the Mozart of Madras". In 2009, Time placed Rahman in its list of World's Most Influential People. The UK based World Music magazine Songlines named him one of 'Tomorrow's World Music Icons' in August 2011. Rahman has also been honoured with the Padma Bhushan, one of the highest Indian civilian award of the Government of India.

Also Known As

Birth Name: A. S. Dileep Kumar
Alternative Names: Allahrakka Rahman Allah Rakha Rahman Dileep Kumar Rajagopala
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Additional quotes by A. R. Rahman

It's an approximate count. If you have a hit film, you'll sell 5 million or 6 million CDs. Of my movies, at least 20 or 25 were really big hits. [Mind you, he adds], in India, we don't get royalties. Otherwise I'd be a very rich man. I wouldn't have to come to America!

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The reason I love 'Slumdog' is because the music is all world cultures, all celebrating. In India, I know people feel other film scores [of mine] are closer to their hearts. But when you are doing a film, it's very important to make the film look like one full piece of artwork. I think scoring 'Slumdog' with every kind of music possible, from Chinese to hip-hop to M.I.A. . . . was really fresh ground for me.

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