second-wave feminism produced a bevy of writers determined not to abandon the public world to men, or to devalue the private world usually inhabited … - Melanie Kaye/Kantrowitz

1980. I recognized in Reagan's election that the liberalism I had for years seen as the real danger was being superseded, that the right was gaining power, with all its Jew-hating, racist, sexist, homophobic capitalist thrust. At the same time the anti-Semitism I was encountering in the women's movement and on the left hurt me more, not because it was more threatening but because the feminist left was where I needed to be: this added to my sense of isolation as a Jew.

What is a classic? Is a classic a book that stays in print? Who decides what stays in print, what gets remaindered, what makes it into paperback, onto the supermarket displays, back into hardbound collected works? Alice Walker's first novel, The Third Life of Grange Copeland, was out of print for seven years. It didn't change. By what mechanism is it now available in paperback? Pat Parker's Movement In Black is out of print, as is Barbara Deming's work. How might their work come back to us? By their deaths? "Discovery" by an influential critic? In fact, much of the work of Aphra Behn, Emily Dickinson, Christina Rossetti, Angelina Weld Grimké, Willa Cather, Gertrude Stein, H.D., and others, was out of print or hard to come by prior to the second wave of feminism (and who knew that all of these women loved women!) Is this work classic now, but not then? Can we only talk about classics after a suitable passage of time?

Sometimes I say this myself, like a mantra: WE ARE THE ONLY ADULTS. This enrages and frightens me. What it means to me is no one will do our work for us. No one can show us the way, or make good on our errors. If the Jewish people need spiritual and political redirection-and we do-if the planet needs saving, and the U.S. needs to spin on its axis, we'd better get busy. No one will do it for us.