My band is the best band in the world, period. So, I insist on every song being better then it is on the record. So by the end of the tour, we have to be playing the song better then how it’s recorded.

People in music want you to play small so you can make them feel better. That’s why you see so many bands break up no matter how talented they are.

I think musicians have a responsibility to try and do something that is good. It's so hard. It's very difficult to pull something out of the hat creatively. Although I say it's their responsibility, it's really just people trying to do the best that they can.

We pride ourselves on trying to put on the best show we can and we're not afraid to say that we happen to be the best live band in the world

On live performance: "Yes. l’d really like to do some concerts of completely improvised music, but one of the reasons for doing a concert is to experience the enjoyment of the people there, so you have to include excerpts of music from previous albums because they want to hear something they already know and like. There’s nothing wrong with limiting your spontaneous playing to just improvising around old themes, but what is wrong is playing a concert solely to promote a certain record. I’ve never done a concert tour just to promote Heaven and Hell or Chariots or anything like that. That sort of thing seems pointless to me".

I think a band by its very nature is only as good as the chemistry between the players. None of us in rock bands, or whatever kind of bands we’re in, are virtuosos, otherwise we’d be concert pianists. So the only thing you have in your favor as a band is your unique chemistry. source

On live performance: "From the creative point of view, live music is always different to what appears on a record because everything is spontaneous and you’re influenced as a performer by your audience. The negative aspect of live work is that the audience expects to be entertained, and not only that, the record company and the promoters expect you to be successful. But to me, the theatre is a meeting place where something unpredictable happens, not necessarily successful, maybe pleasant, maybe not. That’s how I think a concert should be, but in reality things have to be planned down to the last detail, you have to rehearse with other musicians so the scope for improvisation is lessened, and these things prevent a concert from being a truly spontaneous affair. In a way, this reality makes me less keen to do concerts, but in essence I do like playing. I enjoy the risk".