Unlimited Quote Collections
Organize your favorite quotes without limits. Create themed collections for every occasion with Premium.
It must be good to die in the knowledge that one has done some truthful work and to know that, as a result, one will live in the memory of at least a… - Vincent van Gogh
" "It must be good to die in the knowledge that one has done some truthful work and to know that, as a result, one will live in the memory of at least a few and leave a good example for those who come after. A work that is good may not last forever, but the thought expressed by it will, and the work itself will surely survive for a very long time, and those who come later can do no better than follow in the footsteps of such predecessors and copy their example.
English
Collect this quote
About Vincent van Gogh
Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits, and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven.
Biography information from Wikiquote
Also Known As
Alternative Names:
Vincent Willem van Gogh
•
van Gogh
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Shorter versions of this quote
Additional quotes by Vincent van Gogh
First and foremost, the masterly etching, 'The bush', by Daubigny/Ruisdael. [ Daubigny's etching 'The bush', he made after Jacob van Ruisdael ].. ..I plan to do two drawings, either in sepia or something else, one of them after this etching [by Daubigny] — the other [etching, made] after T. Rousseau's 'The oven in Les Landes'. This latter sepia is already done — it's true — but if you compare it with Daubigny's etching, you'll understand that it becomes weak, even though the sepia drawing considered on its own may very well have a certain tone and sentiment. I have to go back to it and work on it again.. ..I couldn't tell you how happy I feel to have taken up drawing again. It had already been on my mind for a long time, but I always saw the thing as impossible and beyond my reach.
Dear mother and sister - This is the first time that I can bring myself to write after 2 months' indisposition. Until today I could bring myself neither to read your letters nor to write.. .For a few days now I've been busy painting a field in the full sunshine with yellow dandelions ['Flowering meadow with trees and dandelions']. And while my illness was at its worst, I still painted, among other things a reminiscence of Brabant, cottages with mossy roofs and beech hedges on an autumn evening with a stormy sky, the sun setting red in reddish clouds. And a turnip field with women lifting turnips in the snow.
Loading...