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TV is a lot like having an office job: same crew, same people every day—it’s like a fam­ily, I didn’t move here to be on a job for three months and then sit around reading scripts and drinking coffee in L.A. the rest of the time. The quality of TV is so great now, and you get to do what you love every day. It’s the closest thing to having a normal job.

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Television is an experience that can be had by virtually everyone at the same time. By substituting for a greater diversity of experiences and unifying everyone with it, it aids commercial efficiency. With all people confined to the same mental and physical condition, a single advertising or political voice appropriate to the common mood can influence everyone.

Script in television is easier: you can study it and do your homework. When doing “Kim’s,” I’m often three days ahead of schedule, learning my lines and making choices because I have the luxury of an almost complete script in front of me. It’s different from doing a television show that’s improvised and ad-libbed; basically what you are saying is predicated by what the competitors do. As a host, you have to think about so many different things because there are so many different moving parts—not only technically being aware of where the cameras are, but also reacting to what you are given by the competitors and making it seem effortless is probably one of the hardest things I’ve ever done in my life!

I have exactly the same work ethic. I don't see writing as anything more important than cooking. In fact, I'm a little queasier on the writing. There's an element of shame, because it's so easy. I can't believe that people give me money for this shit. The TV, too. It's not work. At the end of the day, the TV show is the best job in the world. I get to go anywhere I want, eat and drink whatever I want. As long as I just babble at the camera, other people will pay for it. It's a gift. A few months ago, I was sitting cross-legged in the mountains of Vietnam with a bunch of Thai tribesman as a guest of honor drinking rice whiskey. Three years ago I never, ever in a million years thought that I would ever live to see any of that. So I know that I'm a lucky man.

I think life should be more like TV. I think all of life's problems ought to be solved in 30 minutes with simple homilies, don't you? I think weight and oral hygiene ought to be our biggest concerns. I think we should all have powerful, high-paying jobs, and everyone should drive fancy sports cars. All our desires should be instantly gratified. Women should always wear tight clothing, and men should carry powerful handguns. Life overall should be more glamorous, thrill-packed, and filled with applause, don't you think?... Then again, if real life was like that, what would we watch on television?

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There’s a huge amount of work that goes into placating a network in regular television. It’s literally 70% or 80% of your workload, is showing them the material, getting their notes and presenting it to them and making sure they weigh in. It’s a huge amount of work.

Television's perfect. You turn a few knobs, a few of those mechanical adjustments at which the higher apes are so proficient, and lean back and drain your mind of all thought. And there you are watching the bubbles in the primeval ooze. You don't have to concentrate. You don't have to react. You don't have to remember. You don't miss your brain because you don't need it. Your heart and liver and lungs continue to function normally. Apart from that, all is peace and quiet. You are in the man's nirvana. And if some poor nasty minded person comes along and says you look like a fly on a can of garbage, pay him no mind. He probably hasn't got the price of a television set.

I know very well the sorts of pressures you're under in television. I don't work in television anymore myself, but I'm constantly hearing from colleagues who present scripts to networks and are told, "The script is too complex. You have to keep it simple because the audience is dumb. You can make more money for the advertisers that way."

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