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" "Freud describes the neurotic personality of the late nineteenth century as one suffering from fragmentation – that is, from repression of instinctual drives, blocking off of awareness, loss of autonomy, weakness and passivity of the ego, together with the various neurotic symptoms which result from this fragmentation. “Kierkegaard-who wrote the only known book before Freud specifically devoted to the problem of anxiety-analyzes not only anxiety but particularly the depression and despair which result from the individual’s self-estrangement, an estrangement he proceeds to clarify in its different forms and degrees of severity. Nietzsche proclaims ten years before Freud’s first book that the disease of contemporary man is that “his soul had gone stale” he is – he describes how blocked instinctual powers turn within the individual into resentment, self-hatred, hostility and aggression. Freud did not know Kierkegaard’s work, but he regarded Nietzsche as one of the authentically great men of all time.”
Rollo Reece May (21 April 1909 – 22 October 1994) was an American humanistic and existential psychologist, authoring the influential books Psychology and the Human Dilemma and Love and Will along with several other volumes explaining and expanding on his theories.
Biography information from Wikiquote
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And it is permissible to want to be alone temporarily to “get away from it all.” But if one mentioned at a party that he liked to be alone, not for a rest or an escape, but for its own joys, people would think that something was vaguely wrong with him — that some pariah aura of untouchability or sickness hovered round him. And if a person is alone very much of the time, people tend to think of him as a failure, for it is inconceivable to them that he would choose to be alone.
Every authentic artist is engaged in this creating of the conscience of the race, even though he or she may be unaware of the fact. The artist is not a moralist by conscious intention, but is concerned only with hearing and expressing the vision within his or her own being. But out of the symbols the artist sees and creates — as Giotto created the forms for the Renaissance — there is later hewn the ethical structure of the society.
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