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To outside observers, Communism was a single political entity, shaped and run from the Moscow ‘Centre’. But from Stalin’s perspective matters were mo… - Tony Judt
" "To outside observers, Communism was a single political entity, shaped and run from the Moscow ‘Centre’. But from Stalin’s perspective matters were more complicated. From the late Twenties through to the outbreak of war, Moscow had indeed succeeded in imposing its control over the world Communist movement, except in China. But the war had changed everything. In its resistance against the Germans the Soviet Union had been forced to invoke patriotism, liberty, democracy and many other ‘bourgeois’ goals. Communism had lost its revolutionary edge and become, deliberately, part of a broad anti-Fascist coalition. This had been the tactic of the pre-war Popular Fronts too, of course, but in the Thirties Moscow had been able to keep tight control of its foreign parties—through financial aid, personal intervention and terror.
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About Tony Judt
Tony Robert Judt (2 January 1948 – 6 August 2010) was a British historian, essayist, and university professor who specialized in European history.
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Tony Robert Judt
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Additional quotes by Tony Judt
The longevity of Europe’s political parties derived from a remarkable continuity in the ecology of the electorate. The choice between Labour and Conservatives in Britain, or Social Democrats and Christian Democrats in West Germany, no longer reflected deep divisions over particular policies, much less profound ‘lifestyle’ preferences as they would come to be known. In most places it was an echo of longstanding, trans-generational voting habits, determined by the class, religion or locality of the voter rather than by the party’s program. Men and women voted as their parents had voted, depending on where they lived, where they worked and what they earned.
Postwar: A History of Europe Since 1945 (2005)
What did trust, cooperation, progressive taxation and the interventionist state bequeath to western societies in the decades following 1945? The short answer is, in varying degrees, security, prosperity, social services and greater equality. We have grown accustomed in recent years to the assertion that the price paid for these benefits—in economic inefficiency, insufficient innovation, stifled entrepreneurship, public debt and a loss of private initiative—was too high. Most of these criticisms are demonstrably false.
If one strand in the heritage of the Sixties was high-cultural pretension, the other, its intimate inversion, was a hardening crust of knowing cynicism. The relative innocence of rock and roll was increasingly displaced by media-wise pop bands whose stock in trade was a derisive appropriation and degradation of the style forged by their immediate precursors. Much as popular romances and tabloid journalism had once fastened on to mass literacy for commercial advantage, so ‘punk’ rock appeared in the Seventies in order to exploit the market for popular music. Presented as ‘counter-cultural’ it was in fact parasitic upon mainstream culture, invoking violent images and radical language for frequently mercenary ends.
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