he reference to psychoanalysis is crucial and very precise: in a radical revolution, people not only realize their old (emancipatory, etc.) dreams; r… - Slavoj Žižek

Actual history occurs, so the speak, on credit; only subsequent development will decide retroactively if the current revolutionary violence will be forgiven, legitimated, or if it will continue to exert a pressure on the shoulders of the present generation as its guilt, as its unsettled debt.

Lacan conceives the difference between the two deaths as the difference being real (biological) death and its symbolization, the settling of accounts the accomplishment of symbolic destiny (deathbed confession in Catholicism, for example). This gap can be filled in various ways; it can contain either sublime beauty or fearsome monsters: in Antigone's case, her symbolic death, her exclusion from the symbolic community of the city, precedes her actual death and imbues her character with sublime beauty, whereas the ghost of Hamlet's father represents the opposite case, - actual death unaccompanied by symbolic death, without a settling of accounts - which is why he returns as a frightful apparition until his debt has been repaid. This place between the two deaths, a place of sublime beauty as well as terrifying monsters, is the site of das Ding, of the real-traumatic Kernel in the midst of symbolic order.

In short, what the sensitive liberals want is a thus try to deprive the French Revolution of its status as the founding event of modern democracy, relegating it to a historical anomaly: there was a historical necessity to assert the modern principles of personal freedom, etc.