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" "Lacan conceives the difference between the two deaths as the difference being real (biological) death and its symbolization, the settling of accounts the accomplishment of symbolic destiny (deathbed confession in Catholicism, for example). This gap can be filled in various ways; it can contain either sublime beauty or fearsome monsters: in Antigone's case, her symbolic death, her exclusion from the symbolic community of the city, precedes her actual death and imbues her character with sublime beauty, whereas the ghost of Hamlet's father represents the opposite case, - actual death unaccompanied by symbolic death, without a settling of accounts - which is why he returns as a frightful apparition until his debt has been repaid. This place between the two deaths, a place of sublime beauty as well as terrifying monsters, is the site of das Ding, of the real-traumatic Kernel in the midst of symbolic order.
Slavoj Žižek (born 21 March 1949) is a Slovenian sociologist, philosopher and cultural critic. Zizek is a known for his controversial public personality, use of "dirty humor", and complex philosophy that synthesizes the philosophies of Karl Marx, Hegel, and Jacques Lacan.
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Darcy wants to present himself to Elizabeth as a proud gentleman, and he gets from her the message 'your pride is nothing but contemptible arrogance.' After the break in their relationship each discovers, through a series of accidents, the true nature of the other - she the sensitive and tender nature of Darcy, he her real dignity and wit - and the novel ends as it should, with their marriage. The theoretical interest of this story lies in the fact that the failure of their first encounter, the double misrecognition concerning the real nature of the other, functions as a positive condition of the final outcome: we cannot say 'if, from the very beginning, she had recognized his real nature and he hers, their story could have ended at once with their marriage.' Let us take a comical hypothesis that the first encounter of the future lovers was a success - that Elizabeth had accepted Darcy's first proposal. What would happen? Instead of being bound together in true love they would become a vulgar everyday couple, a liaison of an arrogant, rich man and a pretentious, every-minded young girl... If we want to spare ourselves the painful roundabout route through the misrecognition, we miss the truth itself: only the working-through of the misrecognition allows us to accede to the true nature of the other and at the same time to overcome our own deficiency - for Darcy, to free himself of his false pride; for Elizabeth, to get rid of her prejudices.
The shock of 1914 was – to put it in Alain Badiou’s terms – a désastre, a catastrophe in which an entire world disappeared: not only the idyllic bourgeois faith in progress, but also the socialist movement that accompanied it. Even Lenin himself lost his footing – there is, in his desperate reaction in What Is to Be Done?, no satisfaction, no ‘I told you so!’ This moment of Verzweiflung, this catastrophe, opened up the site for the Leninist event, for breaking with the evolutionary historicism of the Second International – and Lenin was the only one at the level of this opening, the only one to articulate the Truth of the catastrophe. Born in this moment of despair was the Lenin who, via the detour of a close reading of Hegel’s Logic, was able to discern the unique chance for revolution. Today, the left is in a situation that uncannily resembles the one that gave birth to Leninism, and its task is to repeat Lenin. This does not mean a return to Lenin. To repeat Lenin is to accept that ‘Lenin is dead’, that his particular solution failed, even failed monstrously. To repeat Lenin means that one has to distinguish between what Lenin actually did and the field of possibilities that he opened up, to acknowledge the tension in Lenin between his actions and another dimension, what was ‘in Lenin more than Lenin himself’. To repeat Lenin is to repeat not what Lenin did, but what he failed to do, his missed opportunities.
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