Music was an art fostered by the mightiest of heroes. Achilles is represented as entertaining himself with his lyre. (Iliad 9: 185-6). We compare Dav… - Cyrus Herzl Gordon

That both the Gilgamesh Epic and the Odyssey deal with the episodic wanderings of a hero, would not be sufficiently specific to establish a genuine relation between them. But when both epics begin with the declaration that the hero gained experience from his wide wanderings, and end with his homecoming, a relationship dimly appears. ...when we note that whole episodes are in essential agreement, we are on firmer ground. For instance, both Gilgamesh and Odysseus reject a goddess's proposal for marriage; and each of the heroes interviews his dead companion in Hades.

At Aqaba we were received in the most hospitable manner of the Arabs. We were put up in the police station there. The prisoners, oddly enough, were walking about enjoying apparent freedom. They were used as waiters and servants instead of being shut up in cells. ...I could detect no trace of bullying of even of discourtesy to the prisoners.

The central problem of the Greek tragedies is why we suffer so at the hands of God. The movement that evoked Greek tragedy in the fifth century B.C. was spread over the East Mediterranean evoking a parallel response in Israel. ...And as in Greek tragedy, Job deals with the problem of why man suffers so at the had of God.