If any theme runs through all my work, it is what Adrienne Rich once called "re-vision," i.e., the re-perceiving of experience, not because our exper… - Joanna Russ
" "If any theme runs through all my work, it is what Adrienne Rich once called "re-vision," i.e., the re-perceiving of experience, not because our experience is complex or subtle or hard to understand (though it is sometimes all three) but because so much of what's presented to us as "the real world" or "the way it is" is so obviously untrue that a great deal of social energy must be mobilized to hide that gross and ghastly fact. As a theatre critic (whose name I'm afraid I've forgotten) once put it, "There's less there than meets the eye." Hence, my love for science fiction, which analyzes reality by changing it. Mundane, realistic fiction often carries its meaning behind the action, underneath the action, underneath the ostensible action. Science fiction cancels this process by making what is usually a literary metaphor into a literal identity. (Introduction)
About Joanna Russ
Joanna Russ (February 22, 1937 – April 29, 2011) was an American writer, academic and feminist. She is the author of a number of works of science fiction, fantasy and feminist literary criticism and is best known for The Female Man, a novel combining utopian fiction and satire.
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Additional quotes by Joanna Russ
Who's Elaine Beach?
Just the one you'd expect. The shy one. The sandy-haired one with freckles. The unhappy one who isn't good-looking. The one who came back to town after a two weeks' absence, claiming she'd been to Chicago and had a baby. The one who's always listening to something else. The one who, on autumn nights, looks as though she can hear something else. The one who hates parties. The one who won't talk about it.
The one to whom supernatural adventures ought to happen.
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The same professors who talked about literature as an absolute value never talked about the sexist messages we were getting from it. The rules of conduct of that time, in the 1950s, were completely different for women, on campus, from what boys were permitted to do. There was a peculiar kind of tacit agreement to pretend that the absolute values were classless and sexless, even though they aren't.