He saw the beauties of his shape and face,
His female sweetness, and his manly grace

He knew that this creature, though imperfect, though a mere creature, a mere figment of his own creative power, was yet in a manner more real than himself. For beside this concrete splendor what was he but a mere abstract potency of creation? Moreover in another respect the thing that he had made was his superior, and his teacher. For as he contemplated this the loveliest and subtlest of all his works with exultation, even with awe, its impact upon him changed him, clarifying and deepening his will. As he discriminated its virtue and its weakness, his own perception and his own skill matured. So at least it seemed to my bewildered, awe-stricken mind.

We become what we behold. We shape our tools, and thereafter our tools shape us.

She knew intellectually that he was beautiful, the way the iridescent wings of a carrion fly would be.

Like Paul the tent-maker, Boehme the cobbler, Bunyan the tinker, Tersteegen the ribbon-maker, he knew how to combine vision and industry; the work of his hands helped rather than hindered the impassioned meditation of his heart.

My father was a really good craftsman – he was a silversmith – so I grew up understanding how things were made. That’s something that’s easy to take for granted, but everything that has been made has been thought about, designed, and I think that growing up with an appreciation of the nature of objects was hugely influential to me.

There was hardly a touch of earth in her love for Clare. To her sublime trustfulness he was all that goodness could be — knew all that a guide, philosopher, and friend should know. She thought every line in the contour of his person the perfection of masculine beauty, his soul the soul of a saint, his intellect that of a seer. The wisdom of her love for him, as love, sustained her dignity; she seemed to be wearing a crown. The compassion of his love for her, as she saw it, made her lift up her heart to him in devotion. He would sometimes catch her large, worshipful eyes, that had no bottom to them looking at him from their depths, as if she saw something immortal before her.

She put both her hands on his shoulders and gazed at him long, with a deep look of ecstasy and yet searchingly. She scrutinized his face to make up for the time she had not seen him. She compared, as she did at every interview with him, the image her fancy painted of him (incomparably finer than, and impossible in actual existence) with his real self

When God made man she was practicing.

He was beautiful, but even more so in his formal attire, with his dark hair and pale eyes. His glistening sword hung at his side, and his tall boots shined in the candlelight. The Queen felt as if she were floating in a dream.

I have seen a man making himself a viol, patiently and fondly paring the thin wood and shaping it, and when I considered the end of the work he was ennobled in my eyes. He was building himself a ship in which to sail to new worlds.

She was broad and tall, and though her skin was the skin of a child, there could be seen coming, early in her life, the design that was to be the weather-beaten grain of her face, that wood in the work; the tree coming forward in her, an undocumented record of time.

She admired him; she was used to clutching her hands together in his wake and heaving audible sighs.

(On H.P.B. (H.P. Blavatsky))And we, who lived around her, who in closest intimacy watched her day after day, we bear witness to the unselfish beauty of her life, the nobility of her character, and we lay at her feet our most reverent gratitude for knowledge gained, lives purified, strength developed.