Time is as necessary for remembering as it is for forgetting. Even the smallest embrace of pain needs time larger than a pause; the greatest pause re… - Yvonne Vera

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Time is as necessary for remembering as it is for forgetting. Even the smallest embrace of pain needs time larger than a pause; the greatest pause requires an eternity, the greatest hurt a lifetime. A lifetime is longer than eternity: an eternity can exist without human presence.

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About Yvonne Vera

Dr. Yvonne Vera (19 September 1964 – 7 April 2005) was an author from Zimbabwe. Her first published book was a collection of short stories, Why Don't You Carve Other Animals (1992), which was followed by five novels: Nehanda (1993), Without a Name (1994), Under the Tongue (1996), Butterfly Burning (1998), and The Stone Virgins (2002). Her novels are known for their poetic prose, difficult subject-matter, and their strong women characters, and are firmly rooted in Zimbabwe's difficult past. For these reasons, she has been widely studied and appreciated by those studying postcolonial African literature.

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Our people know the power of words. It is because of this that they desire to have words continuously spoken and kept alive. We do not believe that words can become independent of the speech that bore them, of the humans who controlled and gave birth to them. The paper is the stranger's own peculiar custom. Among ourselves, speech is not like the rock. Words cannot be taken from the people who create them. People are their words.

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Nehanda came out of me like a dream. It has the feeling of a dream when I look at it now. And that suited it, because it concerned a myth, a legend. It was a story of spirituality, of ancestors, a mystic consciousness and a history ... so it was much better to write it almost intuitively, out of my consciousness of being an African, as though I were myself a spirit medium, and I was just transferring or conveying the feelings, symbols and images of that. I wrote it at a time when I could write it, the way one might write a folk-song... I wrote it from remembrance, as a witness to my own spiritual history.

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