I found MAD comics from the 1950s very informative and influential, and also obviously the independent comics from the ’60s and ’70s, which emerged p… - Eli Valley

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I found MAD comics from the 1950s very informative and influential, and also obviously the independent comics from the ’60s and ’70s, which emerged partly because MAD comics had to be suppressed, as a result of Congressional hearings and the self-censorship of the comics code in 1954. That sort of led, indirectly, to the independent comics explosion in the ’60s, which were almost all influenced in some way by the MAD comics. But also, I see MAD comics as one of the pinnacles of diaspora Jewish culture — not just because they were throwing in Yiddish words everywhere, but because they were, in many ways, anti-establishment at a time when Jews had not yet been accepted by the mainstream in terms of culture and politics. So MAD is, a lot of the time, mocking consumerism and red-baiting and conformity in 1950s America, and it was largely the product of these outsider Jewish kids in New York, who were the children of immigrants.

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About Eli Valley

Eli Valley (born in 1970) is an artist who is Jewish and lives in New York City, USA.

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in general brainwashing begets brainwashing. In terms of liberal Jews who check their progressive values at the door when it comes to Israel, it’s fear and guilt: If we object to Israel’s policies, then we must hate ourselves, and we don’t want to be considered self-hating. For those with an emotional connection to Israel, they might do a cost-benefit analysis. They say, if it‘s my people or the Palestinian people, then someone’s gonna have to lose out, and it’s gonna be them. That’s even further then a lot of people ever get with this. For a lot of people it’s just an emotional level based on educational experiences they’ve had since they were children. When some people start admitting that this is not the ideal they’ve been taught, they rationalize it by saying, the Palestinians are to blame.

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