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I didn't know Elvis was alive until he was dead. But how many stories are like mine? Until his death August 16, 1977, it was possible to get through … - Elaine Dundy
" "I didn't know Elvis was alive until he was dead. But how many stories are like mine? Until his death August 16, 1977, it was possible to get through a day without hearing his name. Of course I remember all the early outrage he caused but believe me it was easy not to see any of his films. It doesn't mean that music has not always dominated my heart and mind. During the years barren of Elvis I did have my record player on constantly but it was playing folk, blues, and jazz. It was playing Al Jolson, Maurice Chevalier, Billie Holiday, Ethel Merman, and Noel Coward. The human voice raised in song has always been important to me so I include Miles Davis whose trumpet is such an important human voice. Then after his death in London in taxis, on radio and TV I heard nothing but Elvis records and that grabbed my attention.
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About Elaine Dundy
Elaine Dundy (1 August 1921 – 1 May 2008) was an American novelist, biographer, journalist, actress and playwright.
Also Known As
Alternative Names:
Elaine Rita Dundy
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Additional quotes by Elaine Dundy
I look back in wonder at The Dud Avocado: in wonder at its initial reception and at the many times it’s been reissued — for years it was even republished alongside of every new book of mine that came out. I look back in wonder at the 1950s. The dull conformity of those years as they are generally imagined is something I don’t recognize. I look back in wonder at London in particular, where whole areas destroyed during the Second World War still lay in rubble. But London was in the midst of a renaissance for artists. In literature and playwriting the Angry Young Men were making their splash and new young actors like Richard Burton, Peter O Toole, Albert Finney, and Peter Finch were coming into their own. London was an orderly place where it was safe to take risks. Optimism was the rule of the day and I was there.
There are, I know (it was in our philosophy course in college), at least a hundred different reasons why some particular event takes place. So I thrashed about again trying to find some other truth and in the instant that it flashed through my head, I think I got as close to my raison d’etre as I ever have.
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I'd always prided myself on how unlike my books were from each other in settings and subject matter. But not until late in my career did I realize that a single thread ran through them, that I'd used the same strategy to catch the reader's attention. It is the old Western movie gimmick: A Stranger Comes to Town. I am that Stranger. Together with the reader I will discover what's going on in that town whether it be Paris, London, New York, Sydney, Tupelo, Ferriday — or in a women's federal prison. And eventually we will make sense of it.
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