Sin, sin! To rid myself of boredom by committing a crime, to break up monotony by deceiving. To sin in order to be a new person, another person. To h… - Henri Barbusse

Already there is uneasy hesitation in these castaways' discussion of their tragedy, in the huge masterpiece of destiny that they are roughly sketching. It is not only the peril and pain, the misery of the moment, whose endless beginning they see again. It is the enmity of circumstances and people against the truth, the accumulation of privilege and ignorance, of deafness and unwillingness, the taken sides, the savage conditions accepted, the immovable masses, the tangled lines.
And the dream of fumbling thought is continued in another vision, in which everlasting enemies emerge from the shadows of the past and stand forth in the stormy darkness of to-day.

On this seat — where she came to me for the first time, which was once so important to us that it seemed as if the background of things all about us had been created by us — we sit down to-day, after we have vainly sought in nature the traces of our transit. The landscape is peaceful, simple, empty; it fills us with a great quivering. Marie is so sad and so simple that you can see her thought.
I have leaned forward, my elbows on my knees. I have contemplated the gravel at my feet; and suddenly I start, for I understand that my eyes were looking for the marks of our footsteps, in spite of the stone, in spite of the sand.
After the solemnity of a long silence, Marie's face takes on a look of defeat, and suddenly she begins to cry. The tears which fill her — for one always weeps in full, drop on to her knees. And through her sobs there fall from her wet lips words almost shapeless, but desperate and fierce, as a burst of forced laughter. "It's all over!" she cries.

Tu pleures, tant ta peine est grande,
Dans un désert, sans rien savoir…
Et moi, debout auprès du soir,
Je suis triste comme une offrande