Interest in and patience with long, complex books and poems have alarmingly diminished not only among college students but college faculty in the US.… - Camille Paglia

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Interest in and patience with long, complex books and poems have alarmingly diminished not only among college students but college faculty in the US. It is difficult to imagine American students today, even at elite universities, gathering impromptu at midnight for a passionate discussion of big, challenging literary works like Dostoyevsky's The Brothers Karamazov -- a scene I witnessed in a recreation room strewn with rock albums at my college dormitory in upstate New York in 1965.

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About Camille Paglia

Camille Paglia (born 2 April 1947) is an American author, scholar, feminist and critic, best known for writing Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, a survey of Western art and literature from earliest recorded history to the 20th Century.

Also Known As

Birth Name: Camille Anna Paglia

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Additional quotes by Camille Paglia

Homosexuality is not “normal.” On the contrary, it is a challenge to the norm; therein resides its eternally revolutionary character. Note I do not call it a challenge to the idea of a norm. Queer theorists — that wizened crew of flimflamming free-loaders — have tried to take the poststructuralist tack of claiming that there is no norm, since everything is relative and contingent. This is the kind of silly bind that word-obsessed people get into when they are deaf, dumb and blind to the outside world. Nature exists, whether academics like it or not. And in nature, procreation is the single, relentless rule. That is the norm. Our sexual bodies were designed for reproduction. Penis fits vagina: no fancy linguistic game-playing can change that biologic fact.

In a media age where books are no longer the primary medium for information storage and exchange, language must be reclaimed from the hucksters and the pedants and imaginatively reinforced. To save literature, educators must take command of the pre-rational world of images. The only antidote to the magic of images is the magic of words.

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