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" "Modern ideas have had a home in Afghanistan since the 19th century. Several Islamist reformist movements started in Afghanistan before spreading to Central Asia and beyond. Afghanistan’s social- democratic, liberal, nationalist, Marxist, Maoist and Islamist parties provided a rich tapestry of ideologies until the ’70s.
Amir Taheri (born 9 June 1942) is an Iranian-born conservative author based in Europe. His writings focus on the Middle East affairs and topics related to Islamist terrorism, and have been the subject of many controversies involving fabrications in his writings.
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Since the 1970s, thanks to a North Korean-style cult of personality, the [Syrian] presidency has been a kind of supranational institution, above anything as vulgar as the competition for power. But now it has lost its mystique: The president is a lonely man who dares not venture beyond his palace in the outskirts of a besieged capital. Syria’s history since independence in 1947 shows that whenever a ruler calls in the army to crush the street, he ends up the loser. It happened three times in 1949 alone, when the army staged three coups, each time after being ordered to crush the street.
Four decades after the mullahs created the Khomeinist republic their revolution has not produced a single poet worth the name. Khomeini and Khamenei, both amateur poets, have produced nothing but frankly embarrassing imitations of classical ghazal without its charm. The last remaining great poets of the pre-revolution era are all in exile, among them Hushang Ebtehaj, Manuchehr Yektai, Yadollah Roya’i, Esmail Khoi, Muhammad Jalali, and Hadi Khorsandi. Inside Iran, some promising younger poets such as Sa’id Sultanpour, Heydar Mehregan, and, more recently, Hashem Shaabani were executed by the regime but gained posthumous popularity greater than any officially endorsed poet. At the same time, almost all of Iran’s poets, from the 9th century to this day, are either censored or, in rare cases, totally banned by the mullahs. Most poets of the past 100 years are on various blacklists established by the oxymoronically named Ministry of Islamic Guidance and Culture. And, yet, Khamenei calls on the government to prepare a plan, and allocate resources, to increase the production of poetry as if it were the same as centrifuges churning out enriched uranium.
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The way things turned out in Misrata was not what Khadafy had hoped for. Right to the very bitter end, he remained a prisoner of his illusions. For four decades, he had heard people, men and women, shouting themselves hoarse with promises of dying for him. For four decades, he had distributed vast sums of money, generated by Libya’s huge oil exports, among a few hundred thousand “Fedaees” or “self-sacrificers,” individuals who were supposed to fight for him to the end. When high on hubris and the “stimulant” drugs he took, the colonel claimed to have “an army of Omar Mukhtars” under his command, named after a bandit who became a local hero by fighting Italian colonialists in 1912. Yet the first city to rise against Khadafy was Tobruk — Omar Mukhtar’s birthplace. Then Benghazi rose, followed by Braiga. As each town and city rose against him, the colonel promised to fight back from another. His last stands were in Bani-Walid and Sirte. Tens of thousands of Omar Mukhtars did enter the battlefield. But they were fighting not for but against him.