I combine concrete cynicism with a sort of vague optimism.

For any comedian, your life informs your point of view, the way you see the world. My comedy comes through the prism of race or class, because those are two worlds that collided for me growing up. And I guess that’s served me well, because those themes cross over countries and continents. We’re all still dealing with those issues today.

(On being called cynical & skeptical): “I do have a healthy skepticism, I think we all should. But I think if you listen closely enough, you’ll find that my message, if I as a joke-blower could be pompous enough to have one, is that we’re all alright and it’s gonna work out. I don’t find that cynical at all.”

I think it's quite enough to simply be sarcastic about something. I like to do that quite a lot, and it's one of my favorite things to look at. That's why I think there's a thin line between melodrama and satire, and I like to dance across that line sometimes. I like the story to take a very funny turn or have a character who is much more of a cartoon.

I can be quite sarcastic when I'm in the mood.

Cynicism is humour in ill health.

Even the characters I create, they aren't clear-cut supervillains or superheroes, they're all residing in the grey area. Maybe that's why a certain amount of optimism or pessimism mixes into my films. I do feel, however, that's more realistic and more reflective of how society is, and how life is. If everything is clear-cut and residing in one direction, it might feel a bit forced.

"When we peek behind the grinning mask of comic cynicism, we find a frustrated idealist. The comic sensibility wants the world to be perfect, but when it looks around, it finds greed, corruption, lunacy. The result is an angry and depressed artist. If you doubt that, ask one over for dinner. Every host in Hollywood has made that mistake: "Let's invite some comedy writers to the party! That'll brighten things up." Sure...till the paramedics arrive."

It's a more ridiculing, divisive humor today, especially with the advent of political incorrectness, which is a license to be as ridiculing and awful about certain groups... There should be room for everybody, absolutely, and then the culture is going to decide the prevailing weight. We can't decide it individually. Nobody is here without a reason. … I always had a different sensibility. I like a huge range of comedy — from broad and farcical, the most sensitive, the most understated — but I always wanted my comedy to be more embracing of the species rather than debasing of it.

If there was anything that depressed him more than his own cynicism, it was that quite often it still wasn't as cynical as real life.

Perhaps most importantly of all, comedy is a by-product of the West and its virtues. Think about it: do you really think there’s much cutting-edge comedy going on in Afghanistan, China or Crimea? How about Venezuela, Libya or Kazakhstan? The answer is no. This is because comedy stems from freedom; it is representative of unfettered expression and open dialogue. To try and clip comedy’s wings is profoundly anti-Western—but then again, maybe that’s the whole point.

There's a silliness that is in my stand-up. I grew up in Indiana, worshipping David Letterman, so it's Letterman-like, observational, a little bit offbeat. I don't go up there and make fun of people's shirts. There's a bit of dryness in it.

An odd outlook on life is the beginning of good comedic writing.

I'm eternally grateful for the Irish side of me. That's where I got my sense of comedy and whimsy. As for the English half — that's my reserved side ... But put me onstage, and the Irish comes out. The combination makes a good mix for acting.