But, I'm sure you weren't aware of the dream that was born in me when I was small . . . Well, let me rephrase that -- when I was young -- because, te… - Gloria Estefan

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But, I'm sure you weren't aware of the dream that was born in me when I was small . . . Well, let me rephrase that -- when I was young -- because, technically, I'm still very small. And I get this from everybody when they meet me: 'You're so tiny.' I guess I am. I don't feel any height, but, apparently, I am not that big.

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About Gloria Estefan

Gloria María Milagrosa Fajardo García de Estefan (born 1 September 1957), known professionally as Gloria Estefan, is a Cuban-born American singer, songwriter, actress, and businesswoman.

Also Known As

Alternative Names: Gloria María Milagrosa Estefan Gloria María Milagrosa Fajardo García
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Additional quotes by Gloria Estefan

My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beatles song, "Till There was You" . . . also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be ready for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.

I'm looking forward, though, one day, if I'm not too old, to do a free concert in a free Cuba. That to me would be fantastic. We're looking forward to it. Well, hopefully, I mean he's [Castro] gotta go [die] sometime. He's gotta go sometime -- let's hope it's sooner [rather] than later.

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