A good relationship has a pattern like a dance and is built on some of the same rules. The partners do not need to hold on tightly, because they move… - Anne Morrow Lindbergh
" "A good relationship has a pattern like a dance and is built on some of the same rules. The partners do not need to hold on tightly, because they move confidently in the same pattern, intricate but gay and swift and free, like a country dance of Mozart's. To touch heavily would be to arrest the pattern and freeze the movement, to check the endlessly changing beauty of its unfolding. There is no place here for the possessive clutch, the clinging arm, the heavy hand, only the barest touch in passing. Now arm in arm, now face to face, now back to back — it does not matter which because they know they are partners moving to the same rhythm, creating a pattern together, and being invisibly nourished by it.
The joy of such a pattern is...the joy of living in the moment. Lightness of touch and living in the moment are intertwined. One cannot dance well unless one is completely in time with the music, not leaning back to the last step or pressing forward to the next one, but poised directly on the present step as it comes... But how does one learn this technique of the dance? Why is it so difficult? What makes us hesitate and stumble? It is fear, I think, that makes one cling nostalgically to the last moment or clutch greedily toward the next. [And fear] can only be exorcised by its opposite: love.
About Anne Morrow Lindbergh
Anne Morrow Lindbergh (22 June 1906 – 7 February 2001), born Anne Spencer Morrow, was a pioneering American aviator, and the wife of Charles Lindbergh
Biography information from Wikiquote
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Shorter versions of this quote
A good relationship has a pattern like a dance and is built on some of the same rules. The partners
do not need to hold on tightly, because they move confidently in the same pattern, intricate but gay
and swift and free, like a country dance of Mozart’s. To touch heavily would be to arrest the pattern
and freeze the movement, to check the endlessly changing beauty of its unfolding. There is no place
here for the possessive clutch, the clinging arm, the heavy hand; only the barest touch in passing. Now
arm in arm, now face to face, now back to back — it does not matter which. Because they know they
are partners moving to the same rhythm, creating a pattern together, and being invisibly nourished by
it.
Additional quotes by Anne Morrow Lindbergh
One writes not to be read but to breathe...one writes to think, to pray, to analyze. One writes to clear one's mind, to dissipate one's fears, to face one's doubts, to look at one's mistakes — in order to retrieve them. One writes to capture and crystallize one's joy, but also to disperse one's gloom. Like prayer — you go to it in sorrow more than joy, for help, a road back to 'grace'.
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