We face threats to freedom of expression if we are unable or unwilling to rise to the challenge of freedom of expression, when that freedom is exerci… - Zia Haider Rahman

I oscillate between loathing Vladimir Nabokov ’s novels (when I think he’s showing off or insisting on making his presence felt) and loving them. This morning, I can’t stand a word of his fiction. But Nabokov’s “Letters to Vera” is not fiction. The showing off, such as there is, is that of a man to his lover, whose absence is felt. The fact that these are the words—such beautiful words—of a writer to his beloved of more than 46 years readies you for the spirit of sincerity in which they were written. Besides, I’m a sucker for a love story.

When we encounter a face, we view it as a whole, by a process of integration of the parts, which takes place, as some scientists and physicians understand it, in the optic nerves long before any transmission reaches the brain. The otherwise dizzying abundance of information that hits the retina is distilled in this tract of fibers behind the eye into a sign that our intelligence can absorb. When we see a strip of letters, a billboard slogan, for example, we cannot help but read the word; we do not see each letter separately, but rather, instantly, we grasp the whole word and, moreover, its meaning.

Perhaps the elites run to a different beat of time.