Music for me is something I prefer to keep away form the whole business part of my life. I feel like everything I do, in a way, has some sort of business around it. So with my music I can have my privacy. If people don’t have to pay for it then I think they can be a little more open to new ideas.

Music is business, you must fight for your right, and you've got to use your head.

Before our albums are released I feel like we still own it, that we have control over our music. But once it's out there in the world it's no longer ours. source

In general, I don’t like to blame the creators. They are making work that appeals to them and the people in the room with them. They are making something that is, at some level, genuine. But the distributors, the networks that bring art to the population, they are the ones who ensure that there’s a flattening and narrowing. The younger me may have sat up all night with bandmates raging against Puffy or DMX or whoever, but the fact is that they were never the problem. The problem was that someone in the corporate chain of command felt that there was a need to play those songs fourteen times a day and to eliminate alternatives.

Past a certain point, the music is no longer mine. It's yours.

When someone asks me where MP3 Newswire stands with regards to file trading (or piracy as some try to call it) I tell them that we support the growth of this notion of an online music industry. One that uses technology to bring us more music, broadening our pallettes while leveraging the Net to reduce distribution costs. The music can be paid for like CDs and tape or it can be free to its audience and supported by advertising like radio and MTV are. Whatever the model, the point is online music easily can and does supplement what we already purchase in the stores.

Beyond a certain point, the music isn't mine anymore. It's yours.

::The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.

A lot of musicians don’t learn the business. You just have to be well-rounded in both areas. You have to understand publishing. You have to understand how you make money, what’s in demand, what helps you make the most out of your talent.

She cared so much about her words, her creative expression, when what mattered to everyone else was the bottom line. Everything was a business — even art. She'd written the songs, but she wouldn't be able to truly own them. Not if she wanted the rest of the world to hear them.

The industry, It's at a crossroad, There's a transformation going on. People are confused, what's going on, how to distribute and sell music. The internet kinda threw everybody for a real loop. 'Cause it's so powerful, kids love it so much. The whole world is at their fingertips, on their lap. Anything they want to know, anyone they want to communicate with, any music, any movies... The thing is it just took everybody for a loop. Right now, all these Starbucks deals and Wal-Mart deals, direct to artists, I don't know if that's the answer. I think the answer is just phenomenal, great music. Just reaching the masses. I think people are still searching. There's not a real music revolution going on right now, either. But when it's there, people will break down a wall to get to it. I mean, 'cause before Thriller, it was the same kind of thing. People were not buying music. It helped to bring everybody back into the stores, so when it happens, it happens.

People will say "there's no money in music", that's not true, there's no money in music to people who aren't educated on how to make money.

Music is spiritual. The music business is not.

Everything is in decline the moment you stop giving the artist freedom. That goes for everywhere, but it is happening in America right now. I think record companies are at great fault. In general, they don’t want to develop talent, but rather get the most out of them in the short term. They’re steering people to do things they perhaps wouldn’t do but have to do and not everyone has the integrity to say “No way.” People are hungry and they have to make money and take care of their families, so it’s a great pressure. Only when you can afford it from an artistic or financial point of view can you express what you want to express.