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" "Family trips of my childhood always began with a prayer. I suppose when one goes on vacation, one is courting death in some fashion, tying the morgue tags onto one’s suitcase. But then, too, vacations are respites from death, from thoughts of death. I have sometimes wondered why friends under medical death sentences have undertaken arduous trips or undertaken arduous labors. To put some distance between themselves and death—the obvious answer.
Richard Rodriguez (born 31 July 1944) Mexican-American writer, associate editor with the Pacific News Service in San Francisco, an essayist for The NewsHour with Jim Lehrer, and a contributing editor for Harper's magazine and the Los Angeles Times.
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The Indian refuses civilization; the African slave is rendered unfit for it. But cher Monsieur: You saw the Indian sitting beside the African on a drape of baize. They were easy together. The sight of them together does not lead you to wonder about a history in which you are not the narrator?
These women are but parables of your interest in yourself. Rather than consider the nature of their intimacy, you are preoccupied alone with the meaning of your intrusion.
Mexico is a nineteenth-century country arranged for gaslight. Once brought into the harsh light of the twentieth-century media, Mexico can only seem false. In its male, in its public, its city aspect, Mexico is an arch-tranvestite, a tragic buffoon. Dogs bark and babies cry when Mother Mexico walks abroad in the light of day. The policeman, the Marxist mayor — Mother Mexico doesn't even bother to shave her mustachios. Swords and rifles and spurs and bags of money chink and clatter beneath her skirts. A chain of martyred priests dangles from her waist, for she is an austere, pious lady. Ay, how much — clutching her jangling bosoms; spilling cigars — how much she has suffered.
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