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" "The figures of rhetoric are the beauties of all poems we have ever read. Without them we would merely be us: eating, sleeping, manufacturing, and dying. With them everything can be glorious. For though we have nothing to say, we can at least say it well.
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Krafft-Ebing was [...], essentially, the first doctor to start writing case histories of people whose sexual behaviour wasn’t entirely respectable.
The book that resulted, Psychopathia Sexualis (1886), was so scandalous that large chunks of it had to be written in Latin, in order to keep it out of the hands of the prurient public. The idea was that if you were clever enough to understand Latin, you couldn’t possibly be a pervert (something that nobody mentioned to Caligula).
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You can spend all day trying to think of some universal truth to set down on paper and some poets try that. Shakespeare knew that it’s much easier to string together some words beginning with the same letter. It doesn’t matter what it’s about. It can be the exact depth in the sea to which a chap’s corpse has been sunk; hardly a matter of universal interest, but if you say, ‘Full fathom five your father lies’, you will be considered the greatest poet that ever lived. Express precisely the same thought in any other way – e.g. ‘your father’s corpse is 9.144 metres below sea level’ – and you’re just a coastguard with some bad news.