Who was the real me? I can only repeat: I was a man of many faces. At meetings I was earnest, enthusiastic, and committed; among friends, unconstrai… - Milan Kundera

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Who was the real me? I can only repeat: I was a man of many faces.

At meetings I was earnest, enthusiastic, and committed; among friends, unconstrained and given to teasing; with Marketa, cynical and fitfully witty; and alone (and thinking of Marketa), unsure of myself and as agitated as a schoolboy.

Was the last face the real one?

No. They were all real: I was not a hypocrite, with one real face and several false ones. I had several faces because I was young and didn’t know who I was or wanted to be. (I was frightened by the differences between one face and the next; none of them seemed to fit me properly, and I groped my way clumsily among them.)

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About Milan Kundera

Milan Kundera (1 April 1929 – 11 July 2023) was a Franco-Czech novelist born in Brno, Czechoslovakia (now the Czech Republic).

Biography information from Wikiquote

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Alternative Names: Kundera

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Additional quotes by Milan Kundera

People meet in the course of life, they talk together, they discuss, they quarrel, without realizing that they're talking to one another across a distance, each from an observation post standing in a different place in time.

Orwell's 1984 [...] is political thought disguised as a novel; the thinking is certainly lucid and correct, but it is distorted by its guise as a novel, which renders it imprecise and vague. [...] the situations and the characters are as flat as a poster.

The pernicious influence of Orwell's novel resides in its implacable reduction of a reality to its political dimension alone, and in its reduction of that dimension to what is exemplarily negative about it. I refuse to forgive this reduction on the grounds that it was useful as propaganda in the struggle against totalitarian evil. For that evil is, precisely, the reduction of life to politics and of politics to propaganda. So despite its intentions, Orwell's novel itself joins in the totalitarian spirit, the spirit of propaganda. It reduces (and teaches others to reduce) the life of a hated society to the simple listing of its crimes.

it is wrong to chide the novel for being fascinated by mysterious coincidences... but it is right to chide man for being blind to such coincidences in his daily life. For he thereby deprives his life a dimension of beauty.

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