This book departs from several assumptions with the explicit intent of changing them. That all Jews came from Eastern Europe and spoke Yiddish. That … - Melanie Kaye/Kantrowitz

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This book departs from several assumptions with the explicit intent of changing them. That all Jews came from Eastern Europe and spoke Yiddish. That Jewishness is only religion; that secular Judaism is a contradiction in terms; that real Jews are born Jewish. That calling (all) Jews "white" explains anything. That calling (all) Jews people of color explains anything. That American Jews and African Americans used to be best friends and are now enemies. That Jews and Arabs were always enemies and could never be friends. That life in the diaspora has always been a vale of tears that all Jews aspire to escape. I write this book to overturn these assumptions, but also to strengthen the identity and practice of Jewish antiracism, including the often buried strand of economic justice. To heighten understanding among Jews of diverse backgrounds/cultures/ethnicities that we need each other in part because of our differences. To help Jews grasp that those Jews who are cultural minorities within a hegemonic Ashkenazi community are often best equipped to help the Jewish world reckon with our multiculturality, and to know that this multiculturality is an enormous asset when it comes to combating racism and anti-semitism and to building social justice coalitions. I name this identity and practice of Jewish anti-racism Diasporism.

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About Melanie Kaye/Kantrowitz

Melanie Kaye/Kantrowitz (September 9, 1945 – July 10, 2018) was a Jewish American essayist, poet, academic, and political activist against racism and for economic and social justice who lived in the USA.

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What is a classic? Is a classic a book that stays in print? Who decides what stays in print, what gets remaindered, what makes it into paperback, onto the supermarket displays, back into hardbound collected works? Alice Walker's first novel, The Third Life of Grange Copeland, was out of print for seven years. It didn't change. By what mechanism is it now available in paperback? Pat Parker's Movement In Black is out of print, as is Barbara Deming's work. How might their work come back to us? By their deaths? "Discovery" by an influential critic? In fact, much of the work of Aphra Behn, Emily Dickinson, Christina Rossetti, Angelina Weld Grimké, Willa Cather, Gertrude Stein, H.D., and others, was out of print or hard to come by prior to the second wave of feminism (and who knew that all of these women loved women!) Is this work classic now, but not then? Can we only talk about classics after a suitable passage of time?

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Progressive Jewishness is about that strand of Jewish tradition which heads toward justice. It must include all the other liberation struggles. Its root is compassion; its assumption, that domination is not only wrong but unnecessary. Progressive Jewishness approaches the world with an ethical imperative and a Marxist slant on constant transformation. Always something needs doing. The world is not a fixed entity but constantly changing, and as progressive Jews our work is to help shape these changes.

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