Night and day I've been most intensely thinking about my painting, and I have been more or less satisfied with everything I've done. I'm slacking a l… - Paula Modersohn-Becker

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Night and day I've been most intensely thinking about my painting, and I have been more or less satisfied with everything I've done. I'm slacking a little now, not working as much, and no longer so satisfied. But all in all, I still have a loftier and happier perspective on my art than I did in Worpswede. But it does demand a very, very great deal of me – working and sleeping in the same room with my paintings is a delight.. .When I wake up in the middle of the night, I jump out of bed and look at my work. And in the morning it's the first thing I see..

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About Paula Modersohn-Becker

Paula Modersohn-Becker (February 8, 1876 - November 21, 1907) was a German painter in Worpswede and one of the most important representatives of early German Expressionism. She frequently stayed in Paris and saw the work of modern artists there, like paintings of Cézanne and early Henri Matisse's.

Also Known As

Alternative Names: Paula Modersohn- Becker Paula Becker Paula Modersohn Becker Paula Becker-Modersohn Paula Modershohn-Becker Paula Moderson-Becker Paula Modersohn-Becker (pseudonym) Paula (pseudonym) Modersohn-Becker Paula Modersohn
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Additional quotes by Paula Modersohn-Becker

, Worpswede, Worpswede! [small rural village in North-Germany were a colony of German artists was working then, including Paula] My sunken Bell mood! Birches, birches, pine trees and old willows. Beautiful brown moors – exquisite brown! The canals with their black reflections, black as asphalt..

I paint all day. First Becka Brotmann with her loose yellow hair and just a suggestion of dahlias in the background. Then I painted Anni Brotmann at the clay pit, where the sun nearly baked us. In the afternoon I painted Rieke Gefken holding red lilies. I think it is the best thing I've done so far – I'll show it to Mackensen [her teacher in Worpswede] tomorrow. I spent another hour with Vogeler, yesterday.. ..he showed us a sketchbook full of his ideas for etchings.. ..many really fine and original things.

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The time is getting closer for you to be coming [to Paula, in Paris]. Now I must ask you for your sake and mine, please spare both of us this time of trial. Let me go, Otto Otto Modersohn. I do not want you as my husband.. ..accept this fact; don't torture yourself any longer.

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