The question of phenomenology, which alone confers a proper object to philosophy, is what makes it into an autonomous discipline -- the fundamental d… - Michel Henry

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The question of phenomenology, which alone confers a proper object to philosophy, is what makes it into an autonomous discipline -- the fundamental discipline of knowledge -- and not just a mere reflexion after the fact on what the other sciences have found. This question is no longer concerned with the phenomena but the mode of their givenness, their phenomenality, not with what appears but with appearing. The invaluable contribution of historical phenomenology is to become aware of this appearing and to analyze it in and of itself. This is its theme. Again, this must not simply be the repetition of the traditional philosophical problem of consciousness or the greek aletheia. For the illusion of common sense, science and past philosophies is to understand the being of the phenomenon always as a first putting at a distance, the arrival of an Outside in which everything becomes visible, a "phenomenon", in the light of this Outside.

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About Michel Henry

Michel Henry (10 January 1922 – 3 July 2002) was a French philosopher, phenomenologist and novelist. He wrote five novels and numerous philosophical works. He also lectured at universities in France, Belgium, the United States, and Japan. His novel L'amour les yeux fermés (Love With Closed Eyes) has won the Renaudot Prize in 1976.

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Alternative Names: Phenomenological definition of God

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Additional quotes by Michel Henry

Because practice is subjective, theory which is always the theory of an object, can't access to the reality of this practice, what it is in itself, but only represent it, in such a way that this representation lets out of itself the real being of practice, the effectivity of the doing. Theory does nothing.

Because it is situated in subjectivity, borne by it, and inseparable from its dynamism and emotion, every concrete object is ultimately a cosmos. The geometrical world of the Bauhaus is thus slowly transformed. The sphere is deformed, thickened, elongated and slowly balanced; it becomes a transparent jellyfish with incandescent filaments caressed by the underwater currents. In this place without heaviness, where weight changes into lightness, forms wander about without their substance -- bodies of light, glorious bodies, bodies of life. They are organic forms with clear and cold colours, all kinds of protozoa, parts of insects, outlines of foliage -- creatures from another world with another nature reveal the nature of all nature, every possible world, and consequently our own world.

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The culture is the whole of the enterprises and of the practices in which the abundance of life expresses itself, they all have as motivation the 'load', the 'over' which disposes inwardly the living subjectivity as a force ready to give unstintingly itself and constraint, under the load, to do it.

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