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" "This isn't something I feel the need to apologize for. The idea that every year or two years you're supposed to turn out these new books that are all going to be wonderful and commercially popular is a misguided notion that commerce has foisted upon us. The writing process has a rhythm all its own, and at least for me the rhythm is absolutely different for every book.
Joanna Russ (February 22, 1937 – April 29, 2011) was an American writer, academic and feminist. She is the author of a number of works of science fiction, fantasy and feminist literary criticism and is best known for The Female Man, a novel combining utopian fiction and satire.
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SF was born didactic! It originated as a teaching medium-which is why its potential to actually effect some changes in people's attitudes is infinitely greater. It's got representative protagonists, for example-at least it starts like this in the works of H. G. Wells, Jules Verne, and other proto-SF writers. If you look at, say, The War of the Worlds, the human beings there may represent certain attitudes or types, but they are obviously not "individuals" in the sense that characters in the great realistic novels are.
all political propaganda generally ends the same way: it's yours now, this thing isn't over; I can't tell you what finally happened because it hasn't finally happened yet! This is always a problem when you write anything with real social or political consciousness-what you're describing hasn't ended. I suppose this is true, in a way, of all fiction.
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Remember: I didn’t and don’t want to be a “feminine” version or a diluted version or a special version or a subsidiary version or an ancillary version, or an adapted version of the heroes I admire. I want to be the heroes themselves.
What future is there for a female child who aspires to being Humphrey Bogart?