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" "He was an old man, wore old man’s clothes, a flannel shirt and old man’s trousers, slippers and a hat, and had an old man’s gait, yet there was nothing old mannish about him, such as there was with my grandfather or my father’s uncle, Alf; on the contrary, when he suddenly opened up to us and wanted to show us things, it was in a kind of artless, childlike way, infinitely friendly, but also infinitely vulnerable, the way a boy without friends might behave when someone showed some interest in him, one might imagine, unthinkable in the case of my grandfather or Alf, it must have been at least sixty years since they had opened up to anyone like that, if indeed they ever had. But no, Hauge hadn’t really opened himself to us, it was more as if it had been his natural self which his rejection had been protecting when we arrived. I saw something I didn’t want to see because the person showing us was unaware of how it looked. He was more than eighty years old, but nothing in him had died or calcified, which actually makes life far too painful to live, that’s what I think now. At the time it just made me uneasy.
Karl Ove Knausgård (born 6 December 1968) is a Norwegian author.
Biography information from Wikiquote
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When the wave, equally suddenly, retreated, it left a void which resembled that of the morning, yet had a character of its own, because though the pattern was repeated it was in reverse order: the scattered schoolchildren who passed my window now were on their way home and there was something unrestrained and boisterous about them, whereas when they had walked past on their way to school in the morning they still bore the silent imprint of sleep and the innate wariness we feel toward things that have not yet begun.
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But can’t I sleep here while you’re working?’
‘You know I won’t be able to. I can’t even write with a cat in the room.’
‘You’ve never tried with me in the room. I may have a good effect.’
Even though I was angry I couldn’t bring myself to say no. I had no right to be because what I was implying was that the miserable manuscript I was writing was more important than her. At that moment it was, but I couldn’t say that.
‘OK,’ I said.