This book is about three Frenchmen who lived and wrote against the grain of these three ages of irresponsibility. They were very different men and wo… - Tony Judt
" "This book is about three Frenchmen who lived and wrote against the grain of these three ages of irresponsibility. They were very different men and would have been surprised to think of themselves as a group, yet they have something rather distinctive in common. All three played an important role in the France of their lifetime but lived at a slightly awkward tangent to their contemporaries. For much of his adult life each was an object of dislike, suspicion, contempt, or hatred for many of his peers and contemporaries; only at the end of their long lives were Léon Blum and Raymond Aron, for quite different reasons, able to relax into the comfort of near-universal admiration, respect, and, in some quarters, adulation. Camus, who had experienced all three by the age of thirty-five, died twelve years later an insecure and much-maligned figure; it would be thirty years before his reputation would recover.
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About Tony Judt
Tony Robert Judt (2 January 1948 – 6 August 2010) was a British historian, essayist, and university professor who specialized in European history.
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Tony Robert Judt
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The diminishing standing of public authorities in matters of morality and personal relationships in no way supposed a decline in the role of the state in the cultural affairs of the nation. Quite the contrary. The broad Western European consensus of the age held that only the state had the resources to service the cultural needs of its citizens: left to themselves, individuals and communities would lack both means and initiative. It was the responsibility of a well-run public authority to deliver cultural nourishment no less than food, lodging and employment. In such matters Social and Christian Democrats thought alike, and both were heir to the great Victorian-era improvers, though with far greater resources to hand. The aesthetic revolt of the Sixties changed little in this respect: the new (‘counter-’) culture demanded and obtained the same funding as the old.
The American President’s publicly-aired caution is a further salutary reminder of the limited part played by the USA in these developments. Pace the self-congratulatory narrative that has entered the American public record, Washington did not ‘bring down’ Communism—Communism imploded of its own accord.
Every politically significant revolution is anticipated by a transformation of the intellectual landscape. The European upheavals of the 1980s were no exception. The economic crisis of the early Seventies undermined the optimism of Western Europe’s post-war decades, fracturing conventional political parties and propelling unfamiliar issues to the center of public debate. Political argument on both sides of the Cold War divide was breaking decisively with decades of encrusted mental habits—and, with unexpected speed, forming new ones. For better and for worse, a new realism was being born.
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