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" "…Research is always involved, to make sure details, language and atmosphere feel right. Then comes the hard work of a writer, which is the writing itself. One sentence leads to another and then another… You try to maintain focus and discipline, writing for as long as you can, everyday until you’re done with a draft. Then you go back and start revising and the mysterious creative process begins all over again. Each time you begin, you hopefully go deeper into your story and your characters and end up surprising yourself.
Jessica Tarahata Hagedorn (born 1949) is a Filipino playwright, writer, poet, and multimedia performance artist.
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My leaving was not of my doing; that was because of my parents’ breakup. But I was fortunate to be living in San Francisco. There was so much activity, so many activists, so many Filipinos fleeing, coming over. It was the perfect time for me to grow as an artist. I mean, we came in the ’60s—can you imagine? We hit the Summer of Love. There were all these political movements that opened my eyes. I met all these amazing young Filipino American poets who became my teachers. They were going to demonstrations, and I got involved. I was reading up on it, making connections. My God, my brain was vibrating! There was a coup d’état in Chile. There was war in El Salvador. People were making alliances, making connections, and I came to understand: It wasn’t just about us. It was about all these colonies—former colonies—that had the same people running shit, who were probably engineering all these coups. It was a harsh awakening for me and a lot of people like me. (2020)
(Is it important for Filipinx/Filpinx American storytellers to focus on Philippine culture and history in their work?) No. You should feel free to write whatever you want to write. We don’t make art to represent. That has to happen organically. Filipinos are not a monolith. Humans aren’t a monolith. We all have different experiences and need to write across the different identities we hold. As artists, we should be free to write about a wide range of complicated characters and subjects. Don’t limit yourself to only what you know. But definitely do your homework! Being a writer is hard work. (2022)
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Filipino writers who write in English should be at an advantage in terms of connecting with international readers, but the irony is that their work isn't really known to the rest of the world. As for me, writing in Tagalog has never been a real option. It's too complex. Just because I can speak the language (somewhat) doesn't mean that I can write in Tagalog with any eloquence or authority.