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" "نحن غارقون في الخراء يا صديقي، ولا نستطيع أن نفعل شيئًا في هذا الشأن إلى حين، علينا البقاء معهم
László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels Satantango (, 1985) and The Melancholy of Resistance (, 1989), have been turned into feature films by Hungarian film director Béla Tarr.
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...there was Paradise, of which he was the only resident, while in the world, with humanity suspecting nothing, knowing nothing of this great situation, simply continuing on with life as normal, as if nothing in this heaven-sent world had happened with the Great Journey and the Great Discovery, the world just kept going on like before, and this is what Gagarin's nervous system couldn't bear, and this nervous system destroyed his organism too, in the last days he could no longer bear being alive, this became completely clear to me, he could bear it only with vodka...
"Puesto que se enteraría por su propia experiencia de que el jardín era el perfeccionamiento supremo de la idea del jardín, ya que la mejor forma de definirlo era afirmar que su creador había "alcanzado la simplicidad", al tratarse de un jardín, escribía el autor con notable apasionamiento, que expresaba lo infinitamente simple mediante fuerzas infinitamente complejas."
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By now the window of the bar is visible, glowing ahead of them, but there is no sound, not a single word to be heard, as if the place were deserted, not a soul … but now, someone is playing the harmonica … Irimias scrapes the mud off his lead-heavy shoes, clears his throat, cautiously opens the door, and the rain begins again, while to the east, swift as memory, the sky brightens, scarlet and pale blue and leans against the undulating horizon, to be followed by the sun, like a beggar daily panting up to this spot on the temple steps, full of heartbreak and misery, ready to establish the world of shadows, to separate the trees from one another, to raise, out of the freezing, confusing homogeneity of night in which they seem to have been trapped like flies in a web, a clearly defined earth and sky with distinct animals and men, the darkness still in flight at the edge of things, somewhere on the far side on the western horizon, where its countless terrors vanish one by one like a desperate, confused, defeated army.