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" "So what can they tell us, the writers of dream books,
the scholars of oneiric signs and omens,
the doctors with couches for analyses — if anything fits,
it’s accidental,
and for one reason only,
that in our dreamings,
in their shadowings and gleamings,
in their multiplings, inconceivablings,
in their haphazardings and widescatterings
at times even a clear-cut meaning
may slip through.
Wisława Szymborska-Włodek (2 July 1923 – 1 February 2012) was a Polish poet, essayist and translator. She was awarded the 1996 Nobel Prize in Literature. She was bestowed the title of Lady of the Order of the White Eagle in 2011. She was a member of the Polish Writers Association (1989) and the Polish Academy of Skills (1995).
Biography information from Wikiquote
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We call it a grain of sand,
but it calls itself neither grain nor sand.
It does just fine, without a name,
whether general, particular,
permanent, passing,
incorrect, or apt.
Our glance, our touch means nothing to it.
It doesn’t feel itself seen and touched.
And that it fell on the windowsill
is only our experience, not its.
For it, it is not different from falling on anything else
with no assurance that it has finished falling
or that it is falling still.
The window has a wonderful view of a lake,
but the view doesn’t view itself.
It exists in this world
colorless, shapeless,
soundless, odorless, and painless.
The lake’s floor exists floorlessly,
and its shore exists shorelessly.
The water feels itself neither wet nor dry
and its waves to themselves are neither singular nor plural.
They splash deaf to their own noise
on pebbles neither large nor small.
And all this beheath a sky by nature skyless
in which the sun sets without setting at all
and hides without hiding behind an unminding cloud.
The wind ruffles it, its only reason being
that it blows.
A second passes.
A second second.
A third.
But they’re three seconds only for us.
Time has passed like courier with urgent news.
But that’s just our simile.
The character is inverted, his hasts is make believe,
his news inhuman.
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Memory Finally Memory’s finally found what it was after. My mother has turned up, my father has been spotted. I dreamed up a table and two chairs. They sat. They were mine again, alive again for me. The two lamps of their faces gleamed at dusk as if for Rembrandt. Only now can I begin to tell in how many dreams they’ve wandered, in how many crowds I dragged them out from underneath the wheels, in how many deathbeds they moaned with me at their side. Cut off, they grew back, but never straight. The absurdity drove them to disguises. So what if they felt no pain outside me, they still ached within me. In my dreams, gawking crowds heard me call out Mom to a bouncing, chirping thing up on a branch. They made fun of my father’s hair in pigtails. I woke up ashamed. So, finally. One ordinary Friday night they suddenly came back exactly as I wanted. In a dream, but somehow freed from dreams, obeying just themselves and nothing else. In the picture’s background possibilities grew dim, accidents lacked the necessary shape. Only they shone, beautiful because just like themselves. They appeared to me for a long, long, happy time. I woke up. I opened my eyes. I touched the world, a chiseled picture frame.